Top 100 Woman Director movies
You are now browsing page 182, where we continue to showcase even more compelling content linked to "Woman Director". If you’ve already sampled a few highlights on previous pages, now is the perfect time to delve deeper into this fascinating keyword. Keep exploring and enrich your understanding!
Moses and Aaron (1975)
0
A familiar Biblical tale transformed into a cinematic opera of seemingly endless possibility. In expressive, melodic tones, the fraternal pair debate God’s true message and intent for His creations, a conflict that leads their followers towards chaos and sin. Set almost entirely within a Roman amphitheater whose history lends every precise line-reading and gesture, every startling camera move and cut, a totalizing force.
The Immoral Three (1975)
- 0
Three attractive sisters have one year to avenge their mother's murder and collect her inheritance.
Daguerréotypes (1975)
- 0
An intimate portrait of the small shops and shopkeepers of the Rue Daguerre in Paris, a picturesque street that has been the filmmaker’s home for more than 50 years.
Adoption (1975)
- 0
When middle-aged Kata realises that her life will only be complete if she has a baby of her own, her longstanding-but-married boyfriend Joska refuses to comply. But by developing an unlikely friendship with the angst-ridden teenage orphan Anna, who is also involved in a controversial relationship, Kata discovers aspects of herself, and her role as a woman, that have gone unexamined throughout her entire, lonely life.
Summer School Teachers (1974)
- 0
A trio of naive, but eager young Midwestern women go to California to teach summer school classes at Regency High School: Perky and willful Conklin T. starts up and coaches an all-female football team, stuffy chemistry teacher Sally Hanson manages to loosen up after she falls hard for a surly juvenile delinquent student, and pert and liberated photography instructor Denise Carter becomes involved with both a two-faced male chauvinist jerk and a more decent and understanding guy.
Double Agent 73 (1974)
- 1
Underworld drug king Toplar is flooding the market with low-grade heroin. Agent 99 gets a bit too close to the truth, but manages to gasp out a clue as to the identity of Toplar: he has a scar. Jane (Agent 73) is called in to find Toplar, and gets a camera implanted in her breast in order to photograph the bad guys she dispatches so headquarters will be able to identify Toplar when she finds him. Meanwhile she begins falling in love with fellow agent Jim.
The Working Girls (1974)
- 0
A groupie, an escort, and a strip club dancer get thrown into danger by the illegal activities of the men they love.
Deadly Weapons (1974)
- 0
After the mob hits a guy with a list, one of the hoods keeps the list for himself to blackmail the people on it. When the mobsters find out he's a double-crosser, they off him, which angers his busty girlfriend. She goes after them using the only two weapons she has.
Penthesilea: Queen of the Amazons (1974)
- 0
Penthesilea, the first of six films made by Laura Mulvey and Peter Wollen, traverses thousands of years to look at the image of the Amazonian woman in myth. It asks, among other questions, is the Amazonian woman a rare strong female image or is she a figure derived from male phantasy? The film explores the complexities of such questions, but does not seek any concrete answers.
Film About a Woman Who… (1974)
- 0
Rainer’s landmark film is a meditation on ambivalence that plays with cliché and the conventions of soap opera while telling the story of a woman whose sexual dissatisfaction masks an enormous anger.
Je Tu Il Elle (1974)
- 0
A woman suffers a subdued psychological breakdown in the wake of a devastating breakup.
The Night Porter (1974)
- 0
A concentration camp survivor discovers her former torturer and lover working as a porter at a hotel in postwar Vienna. When the couple attempt to re-create their sadomasochistic relationship, his former SS comrades begin to stalk them.
Swept Away (1974)
- 0
A spoiled rich woman and a brutish Communist deckhand become stranded alone on a desert island after venturing away from their cruise.
Love and Anarchy (1973)
- 0
Set in Fascist Italy before the outbreak of World War II, the story centers on Tunin, a farmer turned anarchist who stays in a brothel while preparing to kill Benito Mussolini.
Terminal Island (1973)
- 0
In the wake of a Supreme Court decision to outlaw the death penalty, California passes an initiative that designates San Bruno island as a dumping spot for first-degree murder convicts, free to do what they like except leave. The main camp of convicts is controlled by the tyrannical Bobby, who rules with an iron hand, and the women are used as sex slaves. A.J. and a group of more free-minded murderers have escaped and gone into hiding. When A.J. and his men liberate the women from Bobby's custody, tensions mount to an all-out confrontation for control of the island.
Visions of Eight (1973)
- 0
Eight acclaimed filmmakers bring their unique and differing perspectives to the 1972 Summer Olympic Games held in Munich. The segments include Lelouch's take on Olympic losers and their struggle to remain dignified even in the face of bitter disappointment and defeat; Zetterling's dramatic exploration of the world of weightlifting; and Pfleghar's piece on young Russian gymnast Ludmilla Tourischev's majestic performance on the uneven bars.
Défense de savoir (1973)
- 0
When a woman is accused of murder, the investigation slowly reveals numerous political connections. Laubret, the court-appointed defense lawyer, does everything in his power to expose the truth.
Veronica Comes Back (1973)
- 0
Fleeing into the woods to save duckling stolen by Madame Fox (Vasilica Tastaman), Veronica (Lulu Mihăescu) gives Cricket (Florian Pittiş), the queen ants (Margaret Pâslaru) and Danila dangerous cat (Dem Radulescu) who intones that all Popa Themistocles other choruses. Tudor Caranfil - 2002 (Dictionary of Romanian films)