Top 100 Woman Director movies
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Beyond Right & Wrong: Stories of Justice and Forgiveness (2012)
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A survivor of the Rwandan Genocide struggles to forgive the man who killed her children. A victim’s daughter strikes up an unusual friendship with the ex-IRA bomber who killed her father. And two men—one Israeli, one Palestinian—form a bond after tragedies claim their daughters.
Dear Mandela (2012)
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When their shantytowns are threatened with mass eviction, three ‘young lions’ of South Africa’s new generation rise from the shacks and take their government to the highest court in the land, putting the promises of democracy to the test.
Jism 2 (2012)
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A porn star is hired by a dashing intelligence officer as a 'honey-trap' for a dreaded assassin. She not only has to confront her bitter-sweet past, but is also forced to make an impossible choice - one that will put her own life in jeopardy.
Vanishing Waves (2012)
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Lucas is a scientist who works near the European experimental project that focus on advanced ‘human neuron research’. The project is to transfer neuron information from one human mind to another. Lukas is chosen to connect his mind with a comatose woman he named Aurora.
The Carbon Rush (2012)
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Around the world, multinationals are taking advantage of carbon credits to allow them to burn their waste. Beneath the system’s environment-friendly veneer, entire ecosystems are under siege, human populations are in economic crisis, and greenhouse gases keep spewing into the atmosphere. Three years after making MYTHS FOR PROFIT, activist filmmaker Amy Miller follows up with this ambitious documentary (filmed on four continents) – a bold, highly intelligent work on the dark underbelly of green business. Even while working on a grand scale, she creates intimate portraits of numerous communities, never forgetting that global issues always
Loving Miss Hatto (2012)
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Drama inspired by the true story of classical pianist Joyce Hatto. Victoria Wood's new strange-but-true drama about musical deception and enduring love
Mondays at Racine (2012)
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Every third Monday of the month, two bold, brassy sisters open the doors of their Long Island hair salon to women diagnosed with cancer. As locks of hair fall to the floor, women gossip, giggle, weep, face their fears, and discover unexpected beauty.
My Brother the Devil (2012)
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Fourteen-year-old Mo is a lonely, sensitive boy whose hunger for the rant and banter of buddies makes him prone to tread dangerous territories. He idolizes his handsome older brother, Rashid, a charismatic, well-respected member of a local gang, whose drug dealing enables “Rash” to provide for his family. Aching to be seen as a tough guy himself, Mo takes a job that unlocks a fateful turn of events and forces the brothers to confront their inner demons. It turns out that hate is easy. It is love and understanding that take real courage.
Foreign Letters (2012)
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A bittersweet coming-of-age film, Foreign Letters is itself a love letter to the unshakeable bond between friends. Set in the pre-email era of the 1980s, young Ellie, newly arrived to the US from Israel, anxiously waits for letters from her best friend back home. Suffering from homesickness, language difficulties and rejection at school, life brightens when she meets Thuy, a Vietnamese refugee her age. As the two bond and become inseparable, they eventually hurt each other, and Ellie must find a way to restore their trust. Based on director Ela Thier's personal immigration experience, Foreign Letters is a film about poverty, prejudice,
Nobody Walks (2012)
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A young woman's arrival sparks a surge of energy into a laid-back, artistic Los Angeles household, forcing the residents to confront their own fears and desires in an intricate dance of lust, denial and deception.
Big Love (2012)
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Emilka meets the slightly-older Maciek out at a club one night. He shows Emilka—who was brought up by a single mom—a whole new world filled with desire, passion, restlessness and rebellion. The girl moves in with him and at first everything seems just perfect, but gradually Emilka discovers her separate identity, and starts to grow apart from him. When her dream of becoming a singer comes true, Maciek feels threatened. A toxic love game begins, full of lust and jealousy.
Women's Day (2012)
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Helina, a modest checkout assistant at the Butterfly retail chain, dreams about getting a better life for herself and her daughter. An opportunity presents itself when Helina becomes a store manager. However, she soon discovers that the price for better wages and an improved standard of living is dishonesty, employee exploitation, and fraud.
Inch'Allah (2012)
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A Canadian doctor finds her sympathies sorely tested while working in the conflict ravaged Palestinian territories.
Fogo (2012)
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The deterioration of a small community in Fogo Island is forcing its inhabitants to leave and resettle. Places once occupied by humans are now becoming part of the tundra landscape. In spite of a condemn future, there are some residents who decide to remain, holding on to their memories and grieving for the past, when life in Fogo was different.
Eat (2012)
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A woman recovering from an eating disorder re-encounters someone from her past.
Perfect Number (2012)
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A brilliant math teacher formulates the perfect cover-up after his neighbor murders her abusive ex-husband.
Chaos, Disorder (2012)
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Zaki, Mounir and Manal are in their twenties, and living in a confined community where basic needs are met yet chaos and disorder brew. The two boys are in love with the same girl who finds herself the subject of a bet for a football match between them, the winner marries Manal. This story reflects a football and play-station youth and how they deal with their emotions in a community that is increasingly closed off and isolated.
Trashed (2012)
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Trashed - looks at the risks to the food chain and the environment through pollution of our air, land and sea by waste. The film reveals surprising truths about very immediate and potent dangers to our health. It is a global conversation from Iceland to Indonesia between the film star Jeremy Irons and scientists, politicians and ordinary individuals whose health and livelihoods have been fundamentally affected by waste pollution. Visually and emotionally the film is both horrific and beautiful: an interplay of human interest and political wake-up call. But it ends on a message of hope: showing how the risks to our survival can easily be