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Top De-Language Movies

You’re now browsing page 68, where our journey through De-language movies continues. If you’ve already encountered some outstanding titles on previous pages, now is the perfect time to dig deeper, uncovering more cinematic gems that highlight the richness of de-language storytelling. Keep exploring and enjoy the ride!

Manta, Manta (1991)

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A not so clever guy called Bertie with a Opel Manta (a low budget European sports-coupe from the '80s) gets competition in a street race from a guy with a fast Mercedes, and another slick guy with a Ferrari tries to get his hands on Bertie's girlfriend.

Europa (1991)

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A young, idealist American gets a job as a train conductor for the Zentropa railway network in postwar, US-occupied Frankfurt. As various people try to take advantage of him, he soon finds his position politically sensitive, and gets caught up in a whirlpool of conspiracies and Nazi sympathisers.

Europa Europa (1990)

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A Jewish boy separated from his family in the early days of WWII poses as a German orphan and is taken into the heart of the Nazi world as a 'war hero' and eventually becomes a Hitler Youth.

Peter in Magicland (1990)

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After Sumsemann the beetle loses one of his arms to a troll, he invites brother and sister Peterchen and Annaliese to join him on a journey to the moon in a quest to retrieve his lost arm.

A Cry in the Wild (1990)

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13-year-old Brian is the sole survivor of an unreported plane crash. Alone in the Yukon wilderness, Brian must learn to survive by his wits, find food and shelter, and brave wild, hungry animals until or if he is found.

The Death King (1990)

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Seven episodes, each taking place on a different day of the week, on the theme of suicide and violent death.

Mondo Weirdo (1990)

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A young girl becomes Alice in dreamland. Wild dreams and nightmares about vampirism, death, obsessions and other bizarre things.

Kill Cruise (1990)

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Two British beauties go to Barbados with a yacht captain who does not know what he's in for.

The Seventh Continent (1989)

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Chronicles three years of a middle class family seemingly caught up in their daily routines, only troubled by minor incidents. Behind their apparent calm and repetitive existence however, they are actually planning something sinister.

Johanna d‘Arc of Mongolia (1989)

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A group of cosmopolitan women passengers aboard the Trans-Siberian/Mongolian Railway are taken prisoner by Ulan Iga, a warrior princess.

Who's Afraid of the Bogeyman (1989)

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Portrait of a private coal company in East Berlin's Prenzlauer Berg district in 1988/89. The feisty woman boss runs the business with humour and understanding. Her seven male employees respect her. To the outside world, they are all tough guys, but as they describe their jobs and personal situations, above and beyond the hard manual labour, their vulnerability starts to come to light.

Coming Out (1989)

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Philipp, a closeted teacher, is dating a female colleague to keep up appearances. One night he stumbles into a gay bar and falls for a man. Transformed by this love, he is no longer afraid to face up to who he is.

After Winter Comes Spring (1989)

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A locomotive journey traversing the North to the South of the German Democratic Republic on the eve of its dissolution. Labourers, punks, mothers, intellectuals, young and old are implored to reflect on their life choices, the sacrifices they've made, and their place in the world. Despite everything, hope persists.

Sukkubus (1989)

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Sometime during the 19th century in Switzerland: After a delirious night of drinking, three herdsmen who are all alone in the alps with their kettle, create a female doll from cloth and a strangely formed wooden root. When their creation comes to life in form of an evil and beautiful female demon, they have to fear for their lives...

Our Children (1989)

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From an official perspective, marginal youth culture did not exist in East Germany. The topic of subcultures was taboo in the GDR, and groups such as goths, skinheads, anti-skins, punks and neo-Nazis were dismissed as social deviations promoted by western countries. Director Roland Steiner had access to such young East Germans in the late 1980s. Over the course of four years, he brought them before the camera in an attempt to understand what drew them to these groups.

Blood and Sand (1989)

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Remake of the tale of an acclaimed matador who finds himself involved with a beautiful woman, jeopardizing both his marriage and career.

Mutator (1989)

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A beast gets loose in a laboratory, killing all in it's way. A former scientist, now working as a custodian tries to stop it.

Laurin (1989)

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In a small port town at the end of the 19th century children are disappearing. A mysterious man in black who stalks the town may be Death itself. And nine-year-old Laurin is suffering terrifying dreams and hallucinations of a man carrying a sack and frightened children calling for help from behind closed windows.