Top De-Language Movies
You’re now browsing page 70, where our journey through De-language movies continues. If you’ve already encountered some outstanding titles on previous pages, now is the perfect time to dig deeper, uncovering more cinematic gems that highlight the richness of de-language storytelling. Keep exploring and enjoy the ride!
Making Contact (1985)
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A nine year old boy named Joey, who after the tragic death of his father, begins to experience psychic powers such as allowing him to move inanimate objects with his mind, set things on fire, and even communicate with his dead father. However, not everything is good for Joey as his newly gained powers accidentally awake an evil supernatural force that is contained inside the body of an old ventriloquist's dummy that Joey found in an abandoned house. The supernatural Dummy shows similar powers to Joey's, and soon he puts the lives of everyone near Joey in danger as the evil Dummy has dark plans for Joey's special powers.
Alpine Fire (1985)
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A year on an Alpine farm: an older couple have two children, Belli, who wanted to be a teacher, and the younger Franzi, deaf, and although he works like a man, child-like. Belli teaches him. In his work, he can become frustrated, so when he throws an expensive mower over a cliff in a fit of pique, his father banishes him to the outskirts of the farm, where he uses pubescent energy to break rocks and build walls and cairns. (It's the tradition of the father's family, called "The Irascibles" by neighbors, to spend puberty doing this.) Belli visits him and they begin sleeping together. By winter, the boy is back in the house and Belli
Tokyo-Ga (1985)
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German director Wim Wenders tries to explore the Tokyo that was depicted in the films of Yasujiro Ozu and finds a very different city.
Manufractur (1985)
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A tangled network woven with tiny particles of movements broken out of found footage and compiled anew: the elements of the "to the left, to the right, back and forth" grammar of narrative space, discharged from all semantic burden. What remains is a self-sufficient swarm of splinters, fleeting vectors of lost direction, furrowed with the traces of the manual process of production.
Feel the Motion (1985)
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Young Tina has a big dream, she wants to become a successful pop singer. That's why she tries her luck in the music show 'Formel Eins'. There she meets all kinds of stars like Falco, Meat Loaf, Die Toten Hosen and Pia Zadora and of course the presenter Ingolf Lück. The result is a colorful mix-up and the question arises as to whether Tina can make her dream come true.
Sugarbaby (1985)
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A plump Munich mortuary worker tracks down and seduces a married subway conductor.
Making Contact (1985)
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A nine year old boy named Joey, who after the tragic death of his father, begins to experience psychic powers such as allowing him to move inanimate objects with his mind, set things on fire, and even communicate with his dead father. However, not everything is good for Joey as his newly gained powers accidentally awake an evil supernatural force that is contained inside the body of an old ventriloquist's dummy that Joey found in an abandoned house. The supernatural Dummy shows similar powers to Joey's, and soon he puts the lives of everyone near Joey in danger as the evil Dummy has dark plans for Joey's special powers.
Colonel Redl (1985)
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Set during the fading glory of the Austro-Hungarian empire, the film tells of the rise and fall of Alfred Redl, an ambitious young officer who proceeds up the ladder to become head of the Secret Police only to become ensnared in political deception.
The Practice of Love (1985)
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Judith is a maverick reporter who is also seeking a satisfying relationship with various men. She finds corruption and power-games everywhere.
Otto - The Movie (1985)
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East Friesian Otto moves to the big city Hamburg. There he gets into trouble with a loan shark and needs to find a way to impress his love interest Silvia.
Class Relations (1984)
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A young man, recently arrived in New York from Europe, becomes swept up in a series of events that are beyond his knowledge or control.
The Noah's Ark Principle (1984)
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The year is 1997, and World Peace seems to have come, with most classic weapons of mass destruction having been abandoned. However, orbiting the Earth there is the European/American space station FLORIDA ARKLAB, capable of controlling the weather at any location on the planet underneath. A civil project by nature, it might be abused as an offensive weapon, since it could deliver devastation to any potential adversary simply by creating natural disasters such as storms and floods. No wonder the space station soon becomes the central point in rising political tensions between East and West, next stop World War 3 (as indicated by the tagline
Ballad of the Little Soldier (1984)
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A group of Miskito Indians use Nicaraguan child soldiers in their resistance against the Sandinistas.
Where the Green Ants Dream (1984)
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The Australian Aborigines (in this film anyway) believe that this is the place where the green ants go to dream, and that if their dreams are disturbed, it will bring down disaster on us all. The Aborigines' belief is not shared by a giant mining company, which wants to tear open the soil and search for uranium.
Out of Order (1984)
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It's Friday evening. The lift repairman leaves the building and wants to finish his work on Monday. But he doesn't know there are four men in the building. They use the lift but stay in it about 100 meters from the floor. They have little oxygen and must survive…
Dorian Gray in the Mirror of the Yellow Press (1984)
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The final installment in Ulrike Ottinger’s Berlin Trilogy (following TICKET OF NO RETURN and FREAK ORLANDO) casts Delphine Seyrig as the nefarious Fritz Lang supervillain Dr. Mabuse, here the head of a powerful media empire that seeks to create headlines by manufacturing (and then publicly destroying) its own celebrity: the wealthy, handsome playboy Dorian Gray.
Decoder (1984)
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F.M. discovers that different sonic frequencies induce different patterns of behaviour in listeners, first in his own studio but later in the local "H-Burger" restaurant where the passive muzak appears to be wiping people's emotions.
White Star (1983)
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A clean-cut synth artist in Germany hopes to turn his career around with the help of a washed-up, erratic, publicity-crazed American manager.