Top En-Language Movies
You’re now browsing page 3360, where our journey through En-language movies continues. If you’ve already encountered some outstanding titles on previous pages, now is the perfect time to dig deeper, uncovering more cinematic gems that highlight the richness of en-language storytelling. Keep exploring and enjoy the ride!
Summer of '42 (1971)
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Over the summer of 1942 on Nantucket Island, three friends -- Hermie, Oscy and Benjie -- are more concerned with getting laid than anything else. Hermie falls in love with the married Dorothy, whose husband is an army pilot recently sent to the battlefront of World War II.
10 Rillington Place (1971)
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The story of British serial killer John Christie, who committed most or all of his crimes in the titular terraced house, and the miscarriage of justice involving Timothy Evans.
Lawman (1971)
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While passing through the town of Bannock, a bunch of drunken cattlemen go overboard with their celebrating and accidentally kill an old man with a stray shot. They return home to Sabbath unaware of his death. Bannock lawman Jered Maddox later arrives there to arrest everyone involved on a charge of murder. Sabbath is run by land baron Vince Bronson, a benevolent despot, who, upon hearing of the death, offers restitution for the incident.
Bananas (1971)
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When a bumbling New Yorker is dumped by his activist girlfriend, he travels to a tiny Latin American nation and becomes involved in its latest rebellion.
The Blood on Satan's Claw (1971)
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The accidental unearthing of Satan’s earthly remains causes the children of a 17th-century English village to slowly convert into a coven of devil worshipers.
Walkabout (1971)
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Under the pretense of having a picnic, a geologist takes his teenage daughter and 6-year-old son into the Australian outback and attempts to shoot them. When he fails, he turns the gun on himself, and the two city-bred children must contend with harsh wilderness alone. They are saved by a chance encounter with an Aboriginal boy who shows them how to survive, and in the process underscores the disharmony between nature and modern life.
Le Mans (1971)
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Filmed during the annual 24-hour endurance race at Le Mans, Michael Delaney is a Porsche driver haunted by the memory of an accident at the previous year's race in which a competing driver was killed. Delaney also finds himself increasingly infatuated with the man's widow.
The Abominable Dr. Phibes (1971)
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After a team of surgeons botches his beloved wife's operation, the distraught Dr. Phibes unleashes a score of Old-Testament atrocities on his enemies.
And Now for Something Completely Different (1971)
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A collection of Monty Python's Flying Circus skits from the first two seasons of their British TV series.
Willard (1971)
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A social misfit, Willard is made fun of by his co-workers, and squeezed out of the company started by his deceased father by his boss. His only friends are a couple of rats he raised at home, Ben and Socrates. However, when one of them is killed at work, he goes on a rampage using his rats to attack those who have been tormenting him.
The House That Dripped Blood (1971)
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A Scotland Yard investigator looks into four mysterious cases involving an unoccupied house.
Give in the Way of God (1971)
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Avazali is a rich mean guy whose daughter Farideh is in love with Naser a young guy working for him. One day Avazali due to an accident lost his memory. His family send him to Shiraz but in the middle of way an accident happen. Avazali is rescued by the villagers and they take him to their village to take care of him there. Farideh brings a peasant Rajab Ali who is look like her father thinking that this is her father. Unlike her father this guy is very generous and good. In the village Avazali's memory is back but he has a vision seeing himself in hell. This changes him while he is coming back to his house.
Meeting the Man: James Baldwin in Paris (1971)
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In 1970, a British film crew set out to make a straightforward literary portrait of James Baldwin set in Paris, insisting on setting aside his political activism. Baldwin bristled at their questions, and the result is a fascinating, confrontational, often uncomfortable butting of heads between the filmmakers and their subject, in which the author visits the Bastille and other Parisian landmarks and reflects on revolution, colonialism, and what it means to be a Black expatriate in Europe.
Macho Callahan (1971)
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A man tricked into enlisting in the Confederate army is later thrown into a hellish stockade on desertion charges. He eventually breaks out of the prison camp, reunites with his old partner and sets out to kill the man who was responsible for his being in the camp in the first place. However, after accidentally killing a Confederate officer, he finds himself pursued by a gang of vicious bounty hunters intent on collecting the reward put up by the dead officer's widow.
King Lear (1971)
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King Lear, old and tired, divides his kingdom among his daughters, giving great importance to their protestations of love for him. When Cordelia, youngest and most honest, refuses to idly flatter the old man in return for favor, he banishes her and turns for support to his remaining daughters. But Goneril and Regan have no love for him and instead plot to take all his power from him. In a parallel, Lear's loyal courtier Gloucester favors his illegitimate son Edmund after being told lies about his faithful son Edgar. Madness and tragedy befall both ill-starred fathers.
Wanda (1970)
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After a string of abusive relationships, Wanda abandons her family and seeks solace in the company of a petty criminal.
Hi, Mom! (1970)
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Vietnam vet Jon Rubin returns to New York and rents a rundown flat in Greenwich Village. It is in this flat that he begins to film, 'Peeping Tom' style, the people in the apartment across the street. His obsession with making films leads him to fall in with a radical 'Black Power' group, which in turn leads him to carry out a bizarre act of urban terrorism.