Top En-Language Movies
You’re now browsing page 3490, where our journey through En-language movies continues. If you’ve already encountered some outstanding titles on previous pages, now is the perfect time to dig deeper, uncovering more cinematic gems that highlight the richness of en-language storytelling. Keep exploring and enjoy the ride!
Mission of Danger (1960)
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After his Rangers are caught during a raid, a major must infiltrate the French army to save his men.
A French Mistress (1960)
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The boys of Melbury Primary School are plunged into turmoil when the new French Master turns out to be a Mistress! Madelin Leforge's (the French Mistress) effect on the boys is swift and amazing. Suddenly everyone wants extra French Lessons just to glimpse the teacher in revealing shorts and bikinis. As discipline crumbles, a scandal explodes when the Head discovers the mademoiselle's mother was an old flame. Madeline must be dismissed to save further embarrassments.
There Was a Crooked Man (1960)
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When a law-abiding demolition expert is duped by a gang of criminals into helping them he is caught and jailed. When he is released he goes straight and then notices a leading citizen in his town is cheating his neighbours.
Two Way Stretch (1960)
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Three criminals plan to break out of prison the day before their release in order to carry out a daring jewel robbery, intending to establish the perfect alibi by returning to jail afterwards. First however they must get out, a task made more difficult by a new, stricter prison officer.
A Terrible Beauty (1960)
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In 1941, the IRA plans a campaign to coincide with the planned German invasion of England. Dermott O'Neil finds it easy to get into the IRA, but can he get out?
Twelve Hours to Kill (1960)
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After witnessing a gangland murder, a young Greek immigrant flees for his life and hides out in a small town, but he soon realizes he's not as safe there as he thought.
Integration Report 1 (1960)
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Integration Report 1, Madeline Anderson's trailblazing debut, was the first known documentary by an African American female director. With tenacity, empathy and skill, Anderson assembles a vital record of desegregation efforts around the country in 1959 and 1960, featuring footage by documentary legends Albert Maysles and Richard Leacock and early Black cameraman Robert Puello, singing by Maya Angelou, and narration by playwright Loften Mitchell. Anderson fleetly moves from sit-ins in Montgomery, Alabama to a speech by Martin Luther King Jr. in Washington, D.C. to a protest of the unprosecuted death in police custody of an unarmed Black man
Half Way to Hell (1960)
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Maria San Carlos, the only daughter of a wealthy landowner, is betrothed to Escobar, a General in the Mexican Revolution, but she does not love him. Escobar sends a mixed gang of Americans and Mexicans to capture her and bring her to him. Complications ensue when an American cowboy, who had been hitching a ride with Maria's entourage and has his gold stolen by the gang, pursues them across the desert.
The Wackiest Ship in the Army (1960)
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Lieutenant Rip Crandall is hoodwinked into taking command of the "Wackiest Ship in the Navy" – a real garbage scow with a crew of misfits who don't know a jib from a jigger. What none of them knows, including Crandall, is that this ship has a very important top-secret mission to complete in waters patrolled by the Japanese fleet. Their mission will save hundreds of allied lives – if only they can get there in one piece.
The Music Box Kid (1960)
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A young gangster in 1920's New York quickly rises through the ranks of the mob, then sets up his own murder-for-hire organization. When he starts kidnapping other mobsters for ransom, the New York gangs band together for revenge.
Faces in the Dark (1960)
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A businessman loses his sight in an explosion on the day his wife planned to leave him for another man.
Beyond the Time Barrier (1960)
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In 1960, a pilot testing an experimental rocket powered aircraft accidentally flies into the future and finds himself in a sealed city whose people suspect he is a spy from outside their walls, but who want to keep him to procreate with the ruler's daughter because the majority of the inhabitants are sterile.
For Members Only (1960)
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A somewhat prudish young lady inherits a nudist camp. She wants to shut it down, but is persuaded by its members to give the place a look before she takes any action. She agrees, and while touring the camp finds herself attracted to one of the patrons. The trouble is, so does another young woman at the camp. Complications ensue.
Pretty Boy Floyd (1960)
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Trying to shake his troubled past and start a new honest life, Floyd loses his job because of that past. With nowhere to go but back home in Oklahoma he gets news that his father's been murdered and the local sheriff lets the killer off with a self-defense plea. Bent on revenge, Floyd does what he must which leads him down a dark road littered with robbing banks and loose women. Floyd's final days are anything BUT pretty!
Girl In Room 13 (1960)
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A letter summons American detective Steve Marshall to Sao Paulo, Brazil, in search of fugitive murderess Louise Dunning. Marshall contacts Louise and learns that she murdered her husband only in self-defense. In the meantime, Marshall is set up as a pawn in a counterfeiting ring (they were the ones who sent him the letter), and unwittingly helps the police capture the criminals. Louise decides to remain in Brazil.
The World of Suzie Wong (1960)
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A Hong Kong prostitute tries modeling and falls for the artist who's painting her.
Stop! Look! and Laugh! (1960)
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Moe, Larry and Curly appear in short subjects linked by ventriloquist Paul Winchell and his dummies.
Jungle Cat (1960)
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This final True-Life Adventure would also appear to be one of the best, as we go into the South American jungle to observe the jaguar. Jungle Cat is more intimate than its kin, allowing individual animal characters to be developed. Central to the cast is a pair of jaguars (one ebony), whose fighting leads to love and, not long after, two babies (one resembling each parent).