Top En-Language Movies
You’re now browsing page 3531, where our journey through En-language movies continues. If you’ve already encountered some outstanding titles on previous pages, now is the perfect time to dig deeper, uncovering more cinematic gems that highlight the richness of en-language storytelling. Keep exploring and enjoy the ride!
The Deerslayer (1957)
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After The Deerslayer, a white man reared by the Mohicans, and his blood brother Chingachgook, a Mohican chief, save trader Harry Marsh from the hostile Huron Indians, they learn that the Hurons will attack Old Tom Hutter and his two daughters, Hetty and Judith, who live on a floating raft fort on the river.
Edge of the City (1957)
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An army deserter and a black dock worker join forces against a corrupt manager.
The Passionate Stranger (1957)
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Judith Wynter is a happily married novelist whose romantic works are eagerly devoured by scores of female readers. When Carlo, a handsome young Italian chauffeur, arrives to work for Judith and her husband, a professor currently recovering from an attack of paralysis, he causes quite a flutter; when he then reads the manuscript of Judith's latest novel, he jumps to a rather unfortunate conclusion... and life in the Wynter household becomes very complicated indeed!
Pharaoh's Curse (1957)
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Archaeologists in Egypt find one of their crew has been turned into a blood sucking mummy after they have unleashed a three thousand year curse.
Love Slaves of the Amazons (1957)
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A party of explorers in the Amazon jungle are captured by a tribe of women, and learn that they are to be used as the tribe's "love slaves."
Portland Exposé (1957)
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The owner of a tavern is pressured by the local mob to go into business with them, and figures it's better all around if he does that rather than cause trouble. However, when he starts to see what kind of place his nice little neighborhood bar is turning into, and when one of the mob's goons tries to rape his daughter, he decides to fight them.
Brothers in Law (1957)
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Roger Thursby is an overly keen, newly-qualified barrister who rubs his fellow barristers up the wrong way. When he is thrown in at the deep-end, with a particularly hot-tempered judge and tricky case, Thursby learns how to prove himself not only to the judge and fellow barristers but also to the public gallery.
Second Fiddle (1957)
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Deborah and Charles, young executives at the thriving Pontifex Advertising Agency, are very much in love. Deborah is recognised by her employers as the most brilliant TV executive in the country, while Charles is regarded as 'thoroughly reliable'. But there is one hard-and-fast rule at the agency: the board of directors will not allow any married women on their staff; as soon as a girl marries, she must resign!
Hellcats of the Navy (1957)
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Future "first couple" Ronald Reagan and Nancy Davis made their only joint film appearance in Hellcats of the Navy. Ronnie plays Casey Abbott, commander of a WW2 submarine, while Nancy portrays navy nurse Helen Blair, Abbott's off-and-on girlfriend. During a delicate mission in which his sub is ordered to retrieve a revolutionary new Japanese mine, Abbott is forced to leave frogman Wes Barton (Harry Lauter) behind to save the rest of his crew. But Abbott's second-in-command Don Landon (Eduard Franz) is convincing that Abbott's sacrifice of Barton was due to the fact that the dead man had been amorously pursuing Helen.
The Wayward Bus (1957)
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Three strangers embark on a life-changing journey on a fateful bus ride. As the road presents challenges, each character faces his or her own shortcomings, not knowing where life will lead next.
Not One Shall Die (1957)
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A short film by the United Jewish Appeal, directed by David Lowell Rich and starring Guy Madison, Felicia Farr and Agnes Moorehead, made by the core crew of many Columbia noirs, including cinematographer Burnett Guffey, art director Cary Odell, editor Al Clark, set decorator Frank Tuttle, and composer Morris Stoloff.
The Golden Age of Comedy (1957)
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A compilation featuring comedic stars of the silent era including Will Rogers, Laurel and Hardy, and the Keystone Cops.
The Rising of the Moon (1957)
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Three vignettes of old Irish country life, based on a series of short stories. In "The Majesty of the Law," a police officer must arrest an old-fashioned, traditional fellow for assault. The man's principles have the policeman and the whole village, including the man he slugged, sympathizing with him. "One Minute's Wait" is about a little train station and glimpses into the lives of the passengers, with a series of comic setups. The third piece, "1921," is about a condemned Irish nationalist and his daring escape.
The Man Who Turned to Stone (1957)
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A new social worker at a girls' reformatory discovers that her charges are being used by a group of ancient alchemists, who have insinuated themselves as the prison's chief staffers, to keep themselves alive and free from an insidious petrification, which is already afflicting one of their number.
The Man Without a Body (1957)
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A wealthy business man discovers he has a brain tumor and seeks medical help. The business man finds a scientist experimenting with transplanting monkey heads on different monkey bodies. The business man decides to steal the head of Nostradamus from the prophet's crypt.
Johnny Gunman (1957)
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Set over the course of one night in New York, Johnny Gunman follows a tense battle between two mob boss hopefuls.