Top En-Language Movies
You’re now browsing page 3659, where our journey through En-language movies continues. If you’ve already encountered some outstanding titles on previous pages, now is the perfect time to dig deeper, uncovering more cinematic gems that highlight the richness of en-language storytelling. Keep exploring and enjoy the ride!
All's Fair at the Fair (1947)
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Bluto, the daring hot air balloon rider, catches the eye of Olive at a carnival, much to Popeye's chagrin. Bluto manages to make Popeye look bad several times, eventually winning a ring at the ball toss and taking her up in his balloon. Of course, he tries to get fresh with her, and Popeye comes to the rescue with the help of some fireworks. The hot air balloon gets a bit too hot, putting Olive in even more danger.
Red Hot Rangers (1947)
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Forest rangers George and Junior try to snuff out a frisky flame with a sparky personality that threatens to set the forest alight.
Popeye and the Pirates (1947)
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Popeye is taking Olive on a boat ride when she spots a pirate ship. They are soon captured, and Popeye has to rescue Olive from the (initially charming) pirate captain. He tries tricks, like dressing in drag, but until the spinach, no luck. Fortunately, a passing swordfish reading a Popeye comic book recognizes him and feeds him the spinach on the comic cover.
Out of the Blue (1947)
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Set in an apartment building whose occupants include Arthur Earthleigh, a meek and mild type married to the beautiful-but-domineering Mae; a Bohemian artist, David Galleo and his always-there model, Deborah Tyler; and Olive Jensen, a Greenwich Village type who is always slightly-but-continuously inebriated, and whose motto is "love and let love." She calls on George while his wife is out, and when she passes out during his attempts to get her out before his wife returns, he thinks she is dead and deposits her on Galleo's terrace. Galleo takes advantage of the situation by using it in a blackmail scheme against Arthur, which is
Wotta Knight (1947)
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Popeye and Bluto are knights, jousting for the honor of Sleeping Beauty (Olive, with long blonde hair). Of course, Bluto plays dirty, squirting grease on the field in front of Popeye's horse, and using an extra-long lance. But Popeye wins anyhow, and climbs SB's tower with Bluto right behind him. They fight over her, playing tug-of-war with her pigtails.
Safari So Good (1947)
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Popeye and Olive are on an African safari, he with a rifle, she with a camera. Olive happens across a Tarzan-like man (Bluto), and she and he are immediately smitten with one another. Popeye catches wind of this and isn't about to stand for the jungle hunk muscling in on his girl. Let the fighting and one-upmanship begin.
Ramrod (1947)
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A cattle-vs.-sheepman feud loses Connie Dickason her fiance, but gains her his ranch, which she determines to run alone in opposition to Frank Ivey, "boss" of the valley, whom her father Ben wanted her to marry. She hires recovering alcoholic Dave Nash as foreman and a crew of Ivey's enemies. Ivey fights back with violence and destruction, but Dave is determined to counter him legally... a feeling not shared by his associates. Connie's boast that, as a woman, she doesn't need guns proves justified, but plenty of gunplay results.
It Always Rains on Sunday (1947)
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During a rainy Sunday afternoon, an escaped prisoner tries to hide out at the home of his ex-fiance.
The Other Love (1947)
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Seriously ill, concert pianist Karen Duncan is admitted to a Swiss sanitorium. Despite being attracted to Dr Tony Stanton she ignores his warnings of possibly fatal consequences unless she rests completely. Rather, she opts for a livelier time in Monte Carlo with dashing Paul Clermont.
Pursued (1947)
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A boy haunted by nightmares about the night his entire family was murdered is brought up by a neighboring family in the 1880s. He falls for his lovely adoptive sister but his nasty adoptive brother and mysterious uncle want him dead.
My Favorite Brunette (1947)
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Ronnie Jackson is a lowly baby photographer who secretly fantasizes about being a private detective. When a lovely baroness actually mistakes him for one and asks him to help locate her missing husband, Baron Montay, Ronnie finds himself agreeing. Several days later he is on death row whiling away the hours until his execution by recounting to a group of reporters the bizarre tale of how he ended up there.
A Man About the House (1947)
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Handsome Italian laborer Kieron Moore works as caretaker of the Neopolitan villa inherited by plain-Jane Englishwomen Margaret Johnston and Dulcie Gray. Johnston is swept off her feet by the raffishly charming Moore, and before long they are wed.
A Double Life (1947)
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A Shakespearian actor starring as Othello opposite his wife finds the character's jealous rage taking over his mind off-stage.
The Fugitive (1947)
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Anti-Catholic and anti-cleric policies in the Mexican state of Tabasco lead the revolutionary government to persecute the state's last remaining priest.
The Lost Moment (1947)
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In a long flashback, a New York publisher is in Venice pursuing the lost love letters of an early-19th-century poet, Jeffrey Ashton, who disappeared mysteriously. Using a false name, Lewis Venable rents a room from Juliana Bordereau, once Jeffrey Ashton's lover, now an aged recluse. Running the household is Juliana's severe niece, Tina, who mistrusts Venable from the first moment. He realizes all is not right when late one night he finds Tina, her hair unpinned and wild, at the piano. She calls him Jeffrey and throws herself at him. The family priest warns Venable to tread carefully around her fantasies, but he wants the letters at any cost,
Buck Privates Come Home (1947)
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Two ex-soldiers return from overseas--one of them having smuggled into the country a French orphan girl he has become attached to. They wind up running into their old sergeant--who hates them--and getting involved with a race-car builder who's trying to find backers for a new midget racer he's building.
Christmas Eve (1947)
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The greedy nephew of eccentric Matilda Reid seeks to have her judged incompetent so he can administer her wealth, but she will be saved if her three long-lost adopted sons appear for a Christmas Eve reunion. Separate stories reveal Michael as a bankrupt playboy loved by loyal Ann; Mario as a seemingly shady character tangling with a Nazi war criminal in South America; Jonathan as a hard-drinking rodeo rider intent on a flirtatious social worker. Is there hope for Matilda?