Top Es-Language Movies
You’re now browsing page 128, where our journey through Es-language movies continues. If you’ve already encountered some outstanding titles on previous pages, now is the perfect time to dig deeper, uncovering more cinematic gems that highlight the richness of es-language storytelling. Keep exploring and enjoy the ride!
The Sea Inside (2004)
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The Sea Inside is about Spaniard Ramón Sampedro, who fought a 30-year campaign to win the right to end his life with dignity. It is the story of Ramón’s relationships with two women: Julia a lawyer who supports his cause, and Rosa, a local woman who wants to convince him that life is worth living.
Machuca (2004)
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Santiago, capital of Chile during the Marxist government of elected, highly controversial president Salvador Allende. Father McEnroe supports his leftist views by introducing a program at the prestigious "collegio" (Catholic prep school) St. Patrick to allow free admission of some proletarian kids. One of them is Pedro Machuca, slum-raised son of the cleaning lady in Gonzalo Infante's liberal-bourgeois home. Yet the new classmates become buddies, paradoxically protesting together as Gonzalo gets adopted by Pedro's slum family and gang. But the adults spoil that too, not in the least when general Pinochet's coup ousts Allende, and
The Motorcycle Diaries (2004)
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Based on the journals of Che Guevara, leader of the Cuban Revolution. In his memoirs, Guevara recounts adventures he and best friend Alberto Granado had while crossing South America by motorcycle in the early 1950s.
Maria Full of Grace (2004)
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A pregnant Colombian teenager becomes a drug mule to make some desperately needed money for her family.
El Rey (2004)
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Cali, Colombia, 1970s. The fictional story of Pedro Rey, the first drug trafficker and drug lord.
Amy, la niña de la mochila azul (2004)
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The story of a sweet-hearted tomboy who lives at the shore with her fisherman father, her adventurous friends and a mysterious mermaid.
A Thousand Clouds of Peace Fence the Sky, Love; Your Being Love Will Never End (2003)
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Gerardo, a 17-year old guy has just finished his relationship with Bruno and starts wandering hopeless through the streets of the city. In his wandering he's tortured by images: each masculine body he sees reminds him of his lover. Gerardo is determined to keep what's left of his dying love. The only comfort he has is a letter that Bruno left him with his boss.
El lápiz del carpintero (2003)
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A story of love and obsession during the Spanish Civil War
Carmen (2003)
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A french writer documents the seductive power of the beautiful Carmen, who has enchanted José, a young soldier, awakening his most fervent passions leading to tragedy. A path chained to obsession, jealousy, betrayal, and blood.
Pasión de Gavilanes (2003)
- Se:2 Ep:270
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The Reyes-Elizondo's idyllic lives are shattered by a murder charge against Eric and León.
Aquí no hay quien viva (2003)
- Se:5 Ep:91
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A caustic satire of many of the 'types' found in Spanish society.
Amor Real (2003)
- Se:1 Ep:95
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True love threatens to tear a family apart in this epic Mexican serial set in the 1800s. Rich and beautiful Matilde falls in love with Adolfo, but her mother, Augusta, disapproves of the relationship when she learns Adolfo is poor. Augusta forces her daughter to marry rich and handsome Manuel Fuentes Guerra, but Matilde plays with fire by continuing to be with Adolfo. Adela Noriega, Fernando Colunga, Helena Rojo and Chantal Andere star.
Dark Fate (2003)
- Se:1 Ep:135
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Mariana de la Noche is a Mexican telenovela from 2003. Written by Delia Fiallo and produced by Salvador Mejia, it starred Angélica Rivera, Jorge Salinas, Alejandra Barros and César Évora.
Niña Amada Mía (2003)
- Se:1 Ep:109
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Niña... Amada Mia is a telenovela that premiered in 2003. It is a production of Angelli Nesma and the protagonists are Sergio Goyri and Karyme Lozano. Premiered in other countries, like in Greece in 2004 with the title 'Νίνα'. by repeating the 2005 and 2006.
Mortadelo & Filemon: The Big Adventure (2003)
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In the Headquarters of the T.I.A. (Terminal Intelligence Agency), someone has stolen Professor Bacterio's most dangerous invention, the D.O.T. (Demoralizer of Troops), an artifact that ends up in the hands of a very short, wacky dictator who is ready to use it for criminal purposes. The T.I.A Chief, though, is firm in his resolve: if he wants to get the D.O.T. back, he must NOT count on his agents Mortadelo & Filemon. But when the crime fighting duo discover that the T.I.A. has engaged a cocky and slimy detective from outside the agency, they decide to act at their own risk, even if that risk involves all of Humanity.