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Top Fr-Language Movies

You’re now browsing page 202, where our journey through Fr-language movies continues. If you’ve already encountered some outstanding titles on previous pages, now is the perfect time to dig deeper, uncovering more cinematic gems that highlight the richness of fr-language storytelling. Keep exploring and enjoy the ride!

Sundays and Cybele (1962)

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The tragic story of a young orphan girl who is befriended by an innocent but emotionally disabled veteran of the French Indochina War.

Antoine and Colette (1962)

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Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Le Combat dans l’île (1962)

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The charismatic, surly son of a wealthy industrialist, Clément, leads a double life as a member of a right-wing extremist organization. When he’s ratted out after a failed assassination attempt on a prominent politician, Clément and his long-suffering wife Anne flee Paris to the idyllic country home of his childhood friend, pacifist print-maker Paul. As affection blossoms between Paul and Anne, the emotional, as well as political tensions, soar and eventually explode.

A Monkey in Winter (1962)

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During World War II, an innkeeper vows to abstain from alcohol for the sake of his family. Years later, as they thrive in Normandy, his resolve is tested by a charming advertising professional who loves to drink.

Love on a Pillow (1962)

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A young girl rescues a man from a suicide attempt. He turns out to be a sociopath, who begins to take over her life, abusing her both verbally and emotionally, yet she can't seem to tear herself away from him.

The Elusive Corporal (1962)

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The story serves as a companion piece to Renoir's 1937 film, Grand Illusion, once more bringing together men from across the broad social spectrum of French society to depict one man's Sisyphean efforts to escape captivity in a German POW camp.

Adorable Liar (1962)

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Juliette is a young woman who just can't help lying. She lies to her sister, Sophie, to Sophie's fiancé Martin, and to all the men she attracts with her womanly charms. But when she falls for an older man, a 40-year old lawyer, her reputation as a liar precedes her and she cannot convince him that she really does love him…

The Seventh Juror (1962)

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In a moment of madness a middle-aged, married and respectable pharmacist kills a young woman who is sun-bathing by a lake. Unable to take in what he has done, he flees from the scene of the crime and behaves as if nothing has happened. Eventually her boyfriend is charged with the crime and, in a strange twist of fate, the killer finds himself serving on the jury.

Where the Truth Lies (1962)

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A young veterinarian falls in love with a strange woman, a former explorer who might be a Voodoo priestess, after he comes to help her ailing cheetah. She begs him to return to Africa with her, but he doesn’t want to leave his wife. Soon his wife finds herself plagued by a series of bizarre accidents.

The Eye of the Monocle (1962)

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In 1943, a German commando conceals a large quantity of gold in an undersea cave on the coast of Corsica. Years later, Schlumpf, the sole survivor of the commando, returns to Corsica to recuperate the treasure -- with British and Soviet spies on his heels, and closely monitored by Dromard, from the French intelligence services. The monocled Dromard is convinced that he can outfox his opponents, but difficulties accumulate: despite his plump appearance, Herr Schlumpf is a sly fellow; Corsica is teeming with treasure hunters from various nationalities; and all parties readily resort to unnatural alliances, brazen treachery, and strong-arm

The Olive Trees of Justice (1962)

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The son of a French colonialist in Algeria returns to Algeria after learning that his father is ill. Memories from childhood return. He also must deal with some problems involving the Algerian fight for independence.

Sign of the Lion (1962)

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An American in Paris lives by sponging off his working friends, and throws a party using borrowed money when his rich American aunt dies, believing firmly in his horoscope.

The Third Lover (1962)

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The story of a journalist in southern Germany who stays with a novelist and his wife and gradually begins to destroy the young couple's lives.

Jules and Jim (1962)

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In the carefree days before World War I, introverted Austrian author Jules strikes up a friendship with the exuberant Frenchman Jim and both men fall for the impulsive and beautiful Catherine.

Cléo from 5 to 7 (1962)

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Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.

La Jetée (1962)

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A man is sent back and forth and in and out of time in an experiment that attempts to unravel the fate and the solution to the problems of a post-apocalyptic world during the aftermath of WW3. The experiment results in him getting caught up in a perpetual reminiscence of past events that are recreated on an airport’s viewing pier.

Le Doulos (1962)

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Enigmatic gangster Silien may or may not be responsible for informing on Faugel, who was just released from prison and is already involved in what should be a simple heist. By the end of this brutal, twisting, and multilayered policier, who will be left to trust?

Vivre Sa Vie (1962)

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Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.