Top Fr-Language Movies
You’re now browsing page 215, where our journey through Fr-language movies continues. If you’ve already encountered some outstanding titles on previous pages, now is the perfect time to dig deeper, uncovering more cinematic gems that highlight the richness of fr-language storytelling. Keep exploring and enjoy the ride!
La Marseillaise (1938)
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A film about the early part of the French Revolution, shown from the eyes of the citizens of Marseille, counts in German exile and, of course, the king Louis XVI, each showing their own small problems.
The Strange Monsieur Victor (1938)
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Outwardly, Monsieur Victor would appear to be the model citizen. A respectable Toulon shopkeeper, he has a devoted wife and is courteous and considerate to all who know him. However, beneath this veneer of respectability hides a notorious receiver of stolen goods, who trades with hardened criminals. Victor manages to keep up his double life without any difficulty until the fateful day when one of his partners in crime threatens to expose him. Fearing a scandal, Victor kills the crook in a moment of panic, using a shoemaker's tool. Naturally, the murder is blamed on a local shoemaker, who is sentenced to ten years' hard labour. Seven years
Boys' School (1938)
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In a college, three friends form a secret society. Their objective - going to America. One night, after one of their secret meetings, one of them sees a man coming out from a wall. The next day, after he talks about it, he disappears. Then, the second one vanishes. Are they gone to their dreams? That's when the art teacher is murdered. Suspicions now are too high so the third one decides to investigate.
Port of Shadows (1938)
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Down a foggy, desolate road to the port city of Le Havre travels Jean, an army deserter looking for another chance to make good on life. Fate, however, has a different plan for him, as acts of both revenge and kindness render him front-page news.
I Accuse (1938)
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After serving in the trenches of World War I, Jean Diaz recoils with such horror that he renounces love and personal pleasure to immerse himself in scientific research, seeking a machine to prevent war. He thinks he has succeeded, but the government subverts his discovery, and Europe slides with seeming inevitability toward World War II. In desperation, Diaz summons the ghosts of the war dead from the graves and fields of France to give silent, accusing protest.
Harvest (1937)
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In the 30s, a small village in the Provence is losing its inhabitants because young people prefer to go to the city to find easy jobs and escape from being farmers living in relative poverty. Only a few old people and the poacher Panturle remain. Panturle dreams of bringing the village back to life, finding a wife, founding a family and work as a farmer. One day, the village is visited by a traveling knife-grinder, Urbain Gedemus and a young woman, Arsule. Gedemus treats Arsule like a slave, but Arsule accept this because she has nowhere to go and -we guess- her 'work' with Gedemus is the last thing that saves her from being a prostitute.
Life Dances On (1937)
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After the death of her husband, Christine realizes she has possibly wasted her life by marrying him instead of the man towards whom, in her youth, she had a stronger inclination. To overcome these dreary thoughts, she decides to find out about him and the other men who danced with her during a ball that was a turning point in her life, many years ago. She pays a visit to those forgotten acquaintances one after the other; Christine is not only surprised to see how they have fared, but also discovers the impact she had, unknowingly, on the feelings and the destiny of these persons.
Pépé le Moko (1937)
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Pépé le Moko, one of France's most wanted criminals, hides out in the Casbah section of Algiers. He knows police will be waiting for him if he tries to leave the city. When Pépé meets Gaby, a gorgeous woman from Paris who is lost in the Casbah, he falls for her.
Désiré (1937)
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Sacha Guitry exchanges his usual top hat for a uniform in Désiré, playing a cavalier valet embroiled in an awkward flirtation with his new employer (played by the actor-director's real-life wife, Jacqueline Delubac), who is involved with a stuffy politician. A carefree class farce filled with memorable supporting characters, Désiré blurs the distinction between upstairs and downstairs.
Marthe Richard (1937)
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Fictionalized reconstruction of the life of the French spy Marthe Richard who decided to contact the secret services during the First World War.
Alibi (1937)
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Paris, 1937. Winckler kills his enemy Gordon, a Chicago mobster, from the stage of a Parisian music hall, where he performs telepathy. He pays another artist, Helene, so that she tells the police they've spent the night together, which doesn't fool Callas, the police officer who investigates the murder. He hires one of his fellow officers in order to seduce Helene.
Grand Illusion (1937)
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A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.
My Father Was Right (1936)
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After being left for another man by his wife, Charles Bellanger raises his only son to fear and suspect women. Years later, such an education is bearing fruit.
The Crime of Monsieur Lange (1936)
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A man and a woman arrive in a cafe-hotel near the Belgian frontier. The customers recognize the man from the police's description: his name is Amedee Lange, and he murdered somebody in Paris. Lange was an employee in a printing works. His boss was a real bastard, swindling every one, seducing female workers... One day he fled to avoid facing his creditors, and the workers set up a cooperative to go on working. What then made Lange a killer?
Let's Make a Dream (1936)
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A husband who has just cheated on his wife returns home in the early morning, puzzled. He finds there, without knowing it, the lover of his wife, to whom he confesses his infidelity.
The New Testament (1936)
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Husbands and wives, lovers and gigolos, all break a sweat when Dr. Marcelin’s newly-revised last will and testament is prematurely exposed.
They Were Five (1936)
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Five unemployed workers win 100,000 Francs in the national lottery. Instead of sharing the money, they buy a ruin and build an open-air cafe. But difficulties come to split their friendly group apart.
César (1936)
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Honoré Panisse is dying, cheerfully, with friends, wife, and son at his side. He confesses to the priest in front of his friends; he insists that the doctor be truthful. But, he cannot bring himself to tell his son Césariot that his real father is Marius, the absent son of César, Césariot's godfather. Panisse leaves that to Fanny, the lad's mother. Dissembling that he's off to see a friend, Césariot then seeks Marius, now a mechanic in Toulon. Posing as a journalist, Césariot spends time with Marius and leaves believing tales he is a petty thief. Only after the truth comes out can Marius, Fanny, César, and Césariot step beyond the