The Courtship (2022)

Eighteen year old Ida returns home after being raised by nuns, but her father isn't too pleased. Determined to see her married, he publishes an ad and offers suitors a generous dowry.

Six Weeks (2022)

Zsófi, a rebellious teenager, lives in a tiny flat with her little sister, Mesi, and her unstable mother, Bea. Zsófi discovers late that she is pregnant and decides to give up her baby through open adoption to an infertile couple. Bea cannot accept her daughter’s decision, but she does not realize that neither Zsófi, nor the circumstances, are suitable to welcome a newborn. Zsófi has always had to behave like a grown-up, working and making sensible decisions, instead of her mother and for her sister. She is still in high school and her only advantage is her table tennis career, for which she works assiduously. She plans the adoption

The Informant (2022)

Behind the Iron Curtain, Geri leaves for college, looks forward to meeting girls and partying and joins a group of radicals led by the charismatic Száva. But Geri has a secret. He’s an informant of the totalitarian state and to save his brother, he’s been forced to spy on his new friends for State Security.

The Grandson (2022)

Rudi, a polite and quiet office hand, shares a special bond with his elderly grandpa. When Grandpa falls victim to a uniquely heartless phone scam that breaks his spirit and his health, Rudi decides he’s not going to let the petty criminals get away with it. But in order to get close to them, he needs to step far out of his comfort zone and turn into a different person. With a band of grey-haired allies on his side, he might just get to the scammers before it’s too late…

Forest: I See You Everywhere (2022)

The film brings together various everyday and relationship stories from Budapest that at first glance have nothing in common. A sequel to Fliegauf's 2003 film 'Forest'

Perpetuity (2022)

Based on the Hungarian novel "Our Street" by Sandor Tar, the film deals with a post-apocalyptic Hungarian-Ukranian village where everything is rotten, planes randomly crash, and only alcohol moves people around - no money, no electricity, only barter. In this wasteland, Ocsenas is the only hero, the one trying to survive amidst the savages and war, the one who helps everyone out, all while caught up in a love triangle that will define his future.

The Story of My Wife (2021)

A sea captain makes a bet in a cafe with a friend that he will marry the first woman who walks in.

Tantrum (2021)

This is the worst day of Károly's life. The domino effect that set up his misery has begun decades ago, so now he starts an angry monologue during which he takes into account every step that led him to this very day.

Wild Roots (2021)

Tibor and Niki, father and daughter. The young girl was only five years old when they last saw each other, before Tibor was sent to prison. He is released seven years later and tries not to think about the past. Yet he can’t erase his daughter from his life and so they are compelled to start over from the beginning. Both are irresistibly charismatic, headstrong and irascible, but also determined to find a way back to one another.

Ravine (2021)

The story revolves around Balint, a Hungarian obstetrician and soon-to-be father, who returns to his native village in north-eastern Romania to face the son he abandoned 17 years ago.

Ben Fogle: New Lives in The Wild UK (2021)

Natural Light (2021)

World War II, occupied Soviet Union. István Semetka is a simple Hungarian farmer who serves as a Sub-Lieutenant in a special unit scouting for partisan groups. On their way to a remote village, his company falls under enemy fire. As the commander is killed, Semetka has to overcome his fears and take command of the unit as he is dragged into a chaos that he cannot control.

Evolution (2021)

In EVOLUTION, acclaimed filmmaking team Kornél Mundruczó and Kata Wéber (PIECES OF A WOMAN) return with a powerful drama tracing three generations of a family, from a surreal memory of World War II to modern day Berlin, unable to process their past in a society still coping with the wounds of its history. Like the water that connects the episodes in this triptych, memory and identity are fluid, and how we relate to it can drown or buoy. The pain and stigma that trickles from Eva, to Lena and then Jonas is inexpressible, yet rendered with striking imagery by Mundruczó and a wrenchingly poignant yet acerbically ironic and personal script by

Preparations to Be Together for an Unknown Period of Time (2020)

Márta, a 40-year-old neurosurgeon, falls in love. She leaves her shining American career behind and returns to Budapest to start a new life with the man she loves. But she waits for him at the Liberty Bridge in vain - he does not appear at their rendezvous. Márta starts to search for him desperately, but when she finally finds him, the love of her life claims that they have never met before.

Treasure City (2020)

Dropped into a web of family, sexual, political and romantic relationships where nothing is quite what it seems. One event leads to something else, people appear in one situation and reappear in another and by the end the lives of 22 people intersect in unpredictable ways during a 90-minute period on one magical night in the city they share.

Her Mothers (2020)

As Hungary’s political climate becomes increasingly radicalized, Virág, a former green politician, loses faith in the democratic parliament of Hungary and retires from politics. She and her musician partner Nóra decide to adopt a child and focus on building a family together. With a sensitive lens and close access, directors Asia Dér and Sári Haragonics follow the two women through their long and ultimately successful adoption process to bring home their young daughter of Roma origins. But tensions begin to rise between the two as Virág thrives in her role as mother and Nóra struggles to find her place within the family. As the rising tides

As Far As I Know (2020)

No equal signs of justice can be drawn between those who are accused of a crime, those who are convicted of a crime and those who are the true offenders. That triangle always contains the accused who are not guilty and true offenders whose guilt cannot be ultimately proven. Throughout history, one of the greatest deviations in the strive towards equality has occurred in the triangle of guilt in sexual crimes, where guilt is largely proven on the basis of a woman’s will.

Budapest Heist (2020)