Top Ja-Language Movies
You’re now browsing page 194, where our journey through Ja-language movies continues. If you’ve already encountered some outstanding titles on previous pages, now is the perfect time to dig deeper, uncovering more cinematic gems that highlight the richness of ja-language storytelling. Keep exploring and enjoy the ride!
Afraid to Die (1960)
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On his release from prison a young yakuza, along with his brother, decides to turn his back on criminal life instead of taking over the position of his recently deceased father, boss of the Asahina clan. But their exit proves more difficult than planned when their rival clan steps in to exact revenge.
The Lovelorn Geisha (1960)
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A woman and her daughter are in love with the same man, a chef at the restaurant that the mother manages. He is slightly crippled from frostbite in his years in Siberian labor camps and considers himself 'already dead'.
The Storm of the Pacific (1960)
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Lt. Koji Kitami is a navigator-bombardier in Japan's Naval Air Force. He participates in the Japanese raid on the U.S. Naval Base at Pearl Harbor in 1941 and is welcomed with pride in his hometown on his return. As Japan racks up victory after victory in the Pacific War, Kitami is caught up in the emotion of the time and fights courageously for the standard of Japanese honor. But his assuredness of his government's righteousness is shaken after the Japanese navy is defeated in the debacle of Midway.
The Human Vapor (1960)
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A librarian is subject to a scientific experiment which goes wrong and transforms him into 'The Human Vapour'. He uses his new ability to rob banks to fund the career of his girlfriend, a beautiful dancer. The Human Vapour is ruthless in his quest for money and kills anyone who stands in his way, especially police. He soon becomes Tokyo's most wanted criminal. Can he be stopped before he kills again?
Late Autumn (1960)
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A woman and her daughter are each forced to contend with an increasing pressure to marry, particularly from three men who knew her late husband.
The Bad Sleep Well (1960)
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In this loose adaptation of "Hamlet," illegitimate son Kôichi Nishi climbs to a high position within a Japanese corporation and marries the crippled daughter of company vice president Iwabuchi. At the reception, the wedding cake is a replica of their corporate headquarters, but an aspect of the design reminds the party of the hushed-up death of Nishi's father. It is then that Nishi unleashes his plan to avenge his father's death.
When a Woman Ascends the Stairs (1960)
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Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.
The Ghost of Yotsuya (1959)
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This horror tale relates the consequences of a Japanese legend which tells of a man who has to betray his wife in order to achieve power.
The Rambling Guitarist (1959)
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Arriving in the town of Hakodate, a wandering musician, Shinji Taki, is soon recruited by the local gang as a hired hand. However, with the arrival of a sinister gunman, Taki's mysterious past catches up with him.
Thus Another Day (1959)
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A father curries favor with his bosses to further his career, but his wife has lost faith in him. She returns to her family home while they rent out their house during the summer to pay off their mortgage, and there she meets a lonely old man...
The Human Condition I: No Greater Love (1959)
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After handing in a report on the treatment of Chinese colonial labor, Kaji is offered the post of labor chief at a large mining operation in Manchuria, which also grants him exemption from military service. He accepts, and moves to Manchuria with his newly-wed wife Michiko, but when he tries to put his ideas of more humane treatment into practice, he finds himself at odds with scheming officials, cruel foremen, and the military police.
Good Morning (1959)
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A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s
Fires on the Plain (1959)
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In the closing days of WWII, a Japanese soldier afflicted with tuberculosis is abandoned by his company and left to wander the Philippine island of Leyte.
Battle in Outer Space (1959)
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In 1965, the space station JSS-3 is destroyed by a fleet of UFOs, which then begin a global siege on Earth, using rays to manipulate gravity and control the minds of men. In response, a global council meeting is held to determine the source of the attacks and prepare a rocket ship armada for a counter-attack, a true battle in outer space. . . The film is a sequel of sorts to Toho's THE MYSTERIANS in the reprise of the Etsuko Shiraishi character of that film as its heroine. It was edited to 74 minutes for its American release.
Jirocho Fuji (1959)
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Legendary yakuza Shimizu Jirocho and his 28 henchmen travel the unruly path from a 'Fire Festival' in Akiba to a decisive battle by the Fujigawa.
Samurai Saga (1959)
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Edmund Rostand's play Cyrano de Bergerac, transplanted to Japan. A poet-warrior with an oversized nose (matched only by his great heart) loves a lady. But she sees him only as a friend, so he helps another man to woo her by giving him the poetry of his own heart.
The Big Boss (1959)
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Ryuta and Mineo Komatsu are brothers, both yakuza (gangsters). Mineo, although complicit in crime, even murder, wants out of the gangster life, hoping to become a successful singer instead. Ryuta loves his brother, but Mineo's possible defection presents problems for the gang, and Ryuta realizes he must kill his brother if he wants to survive.
The Three Treasures (1959)
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The legend of the birth of Shintoism. In Fourth Century Japan, the Emperor's son Ouso expects to succeed his father on the throne, but Otomo, the Emperor's vassal, prefers Ouso's stepbrother, and conspires to have Ouso die on a dangerous mission he has contrived. But Ouso prevails in the mission and returns to his father's castle under a new name, Prince Yamato Takeru. Otomo plots to have the Prince sent into even greater danger, but Otomo is unaware that the gods have favored the Prince and the outcome is far from what any of them expected.