Top No-Language Movies
You’re now browsing page 13, where our journey through No-language movies continues. If you’ve already encountered some outstanding titles on previous pages, now is the perfect time to dig deeper, uncovering more cinematic gems that highlight the richness of no-language storytelling. Keep exploring and enjoy the ride!
Death at Oslo C (1990)
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A young boy named Pelle falls in love with the drug addict Lena. Then he and his friend Proffen tries to save her from the drugs.
Shipwrecked (1990)
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A young Norwegian boy in 1850s England goes to work as a cabin boy and discovers some of his shipmates are actually pirates.
Sweetwater (1988)
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Allan and Lisa flee the war-torn city of Sweetwater with their young son for the safety of the municipal dump in this sleepy war drama. They join other displaced survivors who were driven from their homes, looking for a better life on the outskirts of Sweetwater.
Piratene (1983)
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The film follows a gang of unemployed youth in the little town of Svolvær, Lofoten, starting up an illegal radio-channel called "Radio Feskslog".
Bør Børson II (1976)
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Bør is startled when he discovers that his father-in-law is becoming more Norwegian than he is. The father-in-law is about to raise the village's highest flagpole. Bør can't sit still and watch, and that's why the fight and the intricacies are underway.
Journey to the Christmas Star (1976)
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Once upon a time a little girl went out to find the Christmas Star.
The Pinchcliffe Grand Prix (1975)
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100 miles north, a bit east and up, is Pinchcliffe, the home of bicycle repairman Reodor Felgen and his two assistants, Solan Gundersen and Ludvig. Sponsored by oil sheik Ben Redic Fy Fazan, they build the car "Il Tempo Gigante" to race against Reodor's former assistant Rudolf Blodstrupmoen, who has stolen one of Reodor's inventions to become a world racing champion.
Edvard Munch (1974)
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Edvard Munch's childhood is overshadowed by death: he suffers the loss of his sister and mother, while enduring serious illness himself, almost dying. At university, Munch discovers his talent as a painter. As he immerses himself in the art world, he becomes part of a cultural revolution lead by the likes of nihilist Hans Jæger.
Remonstrance (1972)
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A meta-film about a film and the common man in our own political reality. A reality that is just scenes of a film without any cinematic development, but which might be plain reality tomorrow.
The Ballad of the Masterthief Ole Hoiland (1970)
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Ballad of the Masterthief Ole Hoiland (Norwegian: Balladen om mestertyven Ole Høiland) is a 1970 Norwegian drama film directed by Knut Andersen, and starring a broad cast of notable Norwegian actors, headed by Per Jansen as Ole Høiland. Ole Høiland was an actual Norwegian Robin Hood-figure in the early 19th century. He steals from the rich and gives to the poor, enjoying numerous affairs with attractive women along the way. The story culminates in the ambitious burglary of Norges Bank, Norway's central bank.
Clocks in the Moonlight (1964)
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Four men are gathered to play a game of bridge, when the conversation turns to unnatural and occult events.
Tonny (1962)
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Tonny is a school boy in foster care who serves his first sentence in jail. We follow him 24 hours before his parole and 48 hours after his release. We get to see his experiences in prison and his relationship with his mother, friends and girlfriend Kari.
The Wayward Girl (1959)
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Gerd, considered a woman of dubious morals, falls in love with a boy whose family does not accept their relationship, so both run away and settle in a cabin in the woods where they meet a sullen man who tests their love.
Lake of the Dead (1958)
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A group of friends travel to a cabin in the Norwegian forest. It's a rumour that at night a crazy man can be heard screaming at a lake nearby the cabin.
Fante-Anne (1920)
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The story of an orphaned girl brought up by the Storlein family. Young Anne (Asta Nielsen) is brought as an infant to the Storlein farm by her mother, who has been traveling and is in need of a rest. The two are turned away at the door, and the mother takes her young daughter to the barn to sleep. The farmhand Jon discovers them in the morning but the mother has not made it through the night, so young Anne is taken in and raised by the family.