Films & Shows from Ang Lee Productions
Welcome to our dedicated collection of titles produced by Ang Lee Productions. Renowned for its creative vision, quality craftsmanship, and cinematic innovation, Ang Lee Productions has contributed some of the most memorable and influential works to the world of film and television. Whether you’re a longtime follower of their productions or discovering their catalogue for the first time, this selection offers a window into the storytelling excellence and artistic flair that define Ang Lee Productions’s legacy.
Taking Woodstock (2009)
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The story of Elliot Tiber and his family, who inadvertently played a pivotal role in making the famed Woodstock Music and Arts Festival into the happening that it was. When Elliot hears that a neighboring town has pulled the permit on a hippie music festival, he calls the producers thinking he could drum up some much-needed business for his parents' run-down motel. Three weeks later, half a million people are on their way to his neighbor’s farm in White Lake, New York, and Elliot finds himself swept up in a generation-defining experience that would change his life–and American culture–forever.
Eat Drink Man Woman (1994)
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A retired and widowed Chinese master chef Chu and his family live in modern day Taipei, Taiwan. He lives with his three attractive daughters, all of whom are unattached. Soon, each of the daughters encounter new men in their lives. When these new relationships blossom, stereotypes are broken and the living situation within the family changes.
The Wedding Banquet (1993)
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A Taiwanese-American man is happily settled in New York with his American boyfriend. He plans a marriage of convenience to a Chinese woman in order to keep his parents off his back and to get the woman a green card. Chaos follows when his parents arrive in New York for the wedding.
Pushing Hands (1991)
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Mr. Chu is an elderly widower who teaches tai chi chuan in Beijing. He moves to America to live with his son's family, but finds the cultural adjustment difficult. Since his daughter-in-law is a white woman who does not speak Chinese, Mr. Chu's son, Alex, must mediate.