Films & Shows from Arco Film
Welcome to our dedicated collection of titles produced by Arco Film. Renowned for its creative vision, quality craftsmanship, and cinematic innovation, Arco Film has contributed some of the most memorable and influential works to the world of film and television. Whether you’re a longtime follower of their productions or discovering their catalogue for the first time, this selection offers a window into the storytelling excellence and artistic flair that define Arco Film’s legacy.
Oedipus Rex (1967)
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In pre-war Italy, a young couple have a baby boy. The father, however, is jealous of his son - and the scene moves to antiquity, where the baby is taken into the desert to be killed. He is rescued, given the name Edipo (Oedipus), and brought up by the King and Queen of Corinth as their son. One day an oracle informs Edipo that he is destined to kill his father and marry his mother. Horrified, he flees Corinth and his supposed parents - only to get into a fight and kill an older man on the road…
The Hawks and the Sparrows (1966)
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A man and his son take an allegorical stroll through life with a talking bird that spouts social and political philosophy.
The Gospel According to Matthew (1965)
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This biblical drama from the Catholic Marxist director focuses on the teachings of Jesus, including the parables that reflect their revolutionary nature. As Jesus travels along the coast of the Sea of Galilee, he gradually gathers more followers, leading him into direct conflict with the authorities.
Love Meetings (1965)
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Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where do babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition —
Ro.Go.Pa.G. (1963)
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Four short films by four different directors dealing with the principles of modern life.
Mamma Roma (1962)
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After years spent working as a prostitute in her Italian village, middle-aged Mamma Roma has saved enough money to buy herself a fruit stand so that she can have a respectable middle-class life and reestablish contact with the 16-year-old son she abandoned when he was an infant. But her former pimp threatens to expose her sordid past, and her troubled son seems destined to fall into a life of crime and violence.
The Lovemakers (1961)
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The death of a wealthy patriarch in 1885 sets off an interfamily power struggle. Son Ferdinando buys out his other relatives in order to gain full control over the dead man's property. But Ferdinando's nephew Amerigo holds out. Amerigo's stance is weakened when he heads for Florence and meets prostitute Bianca.
Accattone (1961)
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A pimp with no other means to provide for himself finds his life spiralling out of control when his prostitute is sent to prison.