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Films & Shows from Atnine Film

Welcome to our dedicated collection of titles produced by Atnine Film. Renowned for its creative vision, quality craftsmanship, and cinematic innovation, Atnine Film has contributed some of the most memorable and influential works to the world of film and television. Whether you’re a longtime follower of their productions or discovering their catalogue for the first time, this selection offers a window into the storytelling excellence and artistic flair that define Atnine Film’s legacy.

With 11 outstanding titles currently featured, our continuously updated lineup includes both celebrated classics and exciting new releases. Explore detailed descriptions, user ratings, and reviews to find the perfect movie or show for your next viewing session. Immerse yourself in the rich tapestry of narratives and visual styles that Atnine Film brings to the screen, and experience the magic of their productions from the comfort of your own home.

Soup and Ideology (2022)

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Confronting half of her mother’s life—her mother who had survived the Jeju April 3 Incident—the director tries to scoop out disappearing memories. A tale of family, which carries on from Dear Pyongyang, carving out the cruelty of history, and questioning the precarious existence of the nation-state.

Made on the Rooftop (2021)

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Ha-neul, who is unemployed, moves to his best friend Bong-sik's house after breaking up with his lover. Together, they face the woes of love and relationships.

An Old Lady (2020)

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Hyo-jeong, a 69-year-old woman, is raped—but few people, including the police, are willing to believe what she says.

Maggie (2019)

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A couple's hospital tryst is caught on X-Ray. Thinking she and her boyfriend are the ones in the compromising radiograph, nurse Yoon-young goes in the next day to resign only to find that everyone has called in sick except the head doctor.

Last Child (2018)

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When their son drowns while saving the life of a friend, the couple offer to take the boy in. What can they do with the kid who outlived their own son? The father tries to teach him work and looks after him like family. The mother is distant to him but gradually opens her heart.

The Table (2017)

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Four different women discuss life, love and marriage with people from their past and present during the course of one day at a café in Seoul.

Jane (2016)

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Sohyun, a runaway, is left alone after her close friend Jungho disappears. By accident, she gets to know a transgender woman named Jane. She joins Jane and her close-knit community of runaways, who are as comforting and loving as a real family. Sohyun feels happy and at peace. But her happiness does not last long. There is something wrong with Jane’s health.

One Way Trip (2015)

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Four best friends, Yong-bi, Ji-gong, Sang-woo and Doo-man who just turned twenty and just came of age took the road to Pohang, a small city near the beach—since one of the friends, Sang-woo, is enlisting in the marine corps the day after. On the last day before Sang-woo goes off to the army, a life-changing incident dawns in front of them. The four best friends now face a situation beyond their control, and are forced through an irrevocable day.

Factory Complex (2015)

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The drastic economic development in South Korea once surprised the rest of the world. However, behind of it was an oppression the marginalized female laborers had to endure. The film invites us to the lives of the working class women engaged in the textile industry of the 1960s, all the way through the stories of flight attendants, cashiers, and non-regular workers of today. As we encounter the vista of female factory workers in Cambodia that poignantly resembles the labor history of Korea, the form of labor changes its appearance but the essence of the bread-and-butter question remains still.

Snowy Road (2015)

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Jongbun is sick of poverty and she admires Young-ae, a smart and pretty friend. Taking place at the end of Japanese colonialism, a sad but beautiful story about two girls begins.

Manshin: Ten Thousand Spirits (2014)

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A life documentary of a woman who was shunned for being possessed by spirits as a girl, oppressed for following superstitions as an adult, how she grows to be a great shaman who embraces the pain of all people, and how she comes to be honored as a national treasure of Korea with her outstanding artistic talents throughout Korea's tumultuous history.