Films & Shows from Campo Cine
Welcome to our dedicated collection of titles produced by Campo Cine. Renowned for its creative vision, quality craftsmanship, and cinematic innovation, Campo Cine has contributed some of the most memorable and influential works to the world of film and television. Whether you’re a longtime follower of their productions or discovering their catalogue for the first time, this selection offers a window into the storytelling excellence and artistic flair that define Campo Cine’s legacy.
Most People Die on Sundays (2024)
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David, a young middle-class Jewish boy, overweight, homosexual and afraid of flying, returns to Buenos Aires from Europe when his uncle dies. During his time there, David learns that his mother has decided to disconnect his father from the ventilator.
The Man Who Loved UFOs (2024)
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In the late 1980s, journalist José de Zer seeks proof of alien life in Argentina — even if he has to fake evidence — causing a surreal media circus.
Coven (2020)
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French Basque Country, year 1609. The men of a small fishing village have gone to sea. Judge Rostegui, who has been charged by the king with ridding the country of the devil's wiles, arrests Ana and her friends and accuses them of witchcraft.
Monos (2019)
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On a faraway mountaintop, eight kids with guns watch over a hostage and a conscripted milk cow.
Florianópolis Dream (2018)
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A recently separated Argentinian man and woman, with their two teenage children, go on a family holiday to Florianópolis, Brazil, where they become delightfully and problematically involved with the family from whom they rent a house.
Refugiado (2014)
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7 year old Matías returns home from a friend’s birthday party to find his mother, Laura, unconscious on the floor. When she recovers her senses they decide to leave home and rush to a shelter for abused women where they spend 48 hours before Laura decides to rebuild her life somewhere else. Through the eyes of Matías we will discover their escape in a city where everything Matías once knew feels dangerous and foreign until Laura finds a secure place to raise her son.