Films & Shows from Canal+ Polska
You’re now browsing page 2, where we continue to showcase even more remarkable titles produced by Canal+ Polska. If you’ve already discovered some standout works on previous pages, now’s the perfect time to delve deeper and find your next favorite. Keep exploring and enjoy the journey!
Cold War (2018)
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A man and a woman meet in the ruins of post-war Poland. With vastly different backgrounds and temperaments, they are fatally mismatched and yet drawn to each other.
Silent Night (2017)
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Adam unexpectedly visits his family house at Christmas after a few years of working abroad. No family member knows about his secret plans and the real reasons of his visit.
Volta (2017)
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A woman stumbles upon a valuable artifact, the crown that belonged to Casimir the Great.
Hatred (2016)
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Summer of 1939. Zosia is a young Polish girl who is deeply in love with Ukrainian Petro. Their great love will be put to the test when her father decides to marry her to a wealthy widower Skiba. Right after wedding she is left alone because her husband is drafted to the Polish army for the war with Germany. Meanwhile, tensions grow due to Jews, Poles, and Ukrainians living side by side.
In the Name of... (2013)
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The contemporary story of a priest who launches a centre for troubled youth in a small parish. He is a good priest and is well-liked by his congregation, which remains unaware of his complicated past.
Ida (2013)
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Anna, a young novitiate in 1960s Poland, is on the verge of taking her vows when she discovers a family secret dating back to the years of the German occupation.
The Girl from the Wardrobe (2013)
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This is the story of three characters (brothers Tomek and Jacek and their neighbor Magda), each of them is in their own way lonely and alienated. The title character makes herself secluded. Tomek's alienation results from his neurological disease, and Jacek contacts the world mainly via the Internet. This is also a film about love. Love of one brother to the other and of one alienated human being to the other. All together it creates a very universal picture with a Polish entourage.
Elles (2011)
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A journalist tries to balance the duties of marriage and motherhood while researching a piece on college women who work as prostitutes to pay their tuition.
Saviour Square (2006)
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A story of a married couple with two children, whose housing problems, the man's infidelity and the woman's fragility lead the family to destruction.
Destined for Blues (2005)
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The life of Ryszard Riedel, former leader of cult Polish rock-blues band Dzem, including the history of his family relationships, music career and addiction to alcohol and drugs.
The Pianist (2002)
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The true story of pianist Władysław Szpilman's experiences in Warsaw during the Nazi occupation. When the Jews of the city find themselves forced into a ghetto, Szpilman finds work playing in a café; and when his family is deported in 1942, he stays behind, works for a while as a laborer, and eventually goes into hiding in the ruins of the war-torn city.
Boys Don't Cry (2000)
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A young aspiring violinist unwittingly becomes involved with a criminal gang.
The Debt (1999)
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Based on true events, the movie tells the story of two men who want to start a scooter business but don't have the required collateral for a bank loan. Then one of them runs into a former flat neighbour who offers to lend them the money. The guy turns out to be a thug and starts to extort them. Their life goes downhill from there.
Killer (1997)
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An innocent cab driver is mistaken for a contract killer and imprisoned. Soon, he is sprung by a mob boss who needs a "killer" for a few more jobs.
Killer (1997)
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An innocent cab driver is mistaken for a contract killer and imprisoned. Soon, he is sprung by a mob boss who needs a "killer" for a few more jobs.
An Air So Pure (1997)
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In the midst of WW I, a doctor and a lawyer team up to turn a ramshackle old mountain chateau into a sanatorium/health spa that caters to the afflicted from most every stratum of European society, most of whom show up with false hope in their hearts and plenty of equally false identities. Even the proprietors have a few deceptions, chief among them is the part of the resort where they provide shelter for dying and horribly maimed soldiers. Still the atmosphere of this high-class convalescent home is that of great gentility that thinly disguises the seaminess of the guests' secret activities. Though much of the film is a quirky comedy,