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Films & Shows from Central Productions

Welcome to our dedicated collection of titles produced by Central Productions. Renowned for its creative vision, quality craftsmanship, and cinematic innovation, Central Productions has contributed some of the most memorable and influential works to the world of film and television. Whether you’re a longtime follower of their productions or discovering their catalogue for the first time, this selection offers a window into the storytelling excellence and artistic flair that define Central Productions’s legacy.

With 3 outstanding titles currently featured, our continuously updated lineup includes both celebrated classics and exciting new releases. Explore detailed descriptions, user ratings, and reviews to find the perfect movie or show for your next viewing session. Immerse yourself in the rich tapestry of narratives and visual styles that Central Productions brings to the screen, and experience the magic of their productions from the comfort of your own home.

The Jeselnik Offensive (2013)

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The Jeselnik Offensive is an American late-night television program that airs on Comedy Central. It is hosted by stand-up comedian Anthony Jeselnik, who extends his onstage character into weekly, topical humor with a sociopathic, dark twist. The show primarily consists of a monologue and two panelists who join Jeselnik in adding a humorous take on shocking, lurid news stories. The series premiered February 19, 2013, on Comedy Central. It was renewed for a second season on April 26, 2013, and aired July 9, 2013.

Jo Koy: Lights Out (2012)

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Infectiously funny and painfully honest, Jo hits on such topics as the joys and struggles of fatherhood, growing up with strong and opinionated Filipino women, sleep apnea, and role playing. If you don't already know Jo from his stand-up or regular roundtable appearances on Chelsea Lately, it's time that you do. Ting ting!

Meantime (1983)

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A working-class family in London's East End is struggling to stay afloat during the recession under Prime Minister Margaret Thatcher's premiership. Only the mother Mavis is working; father Frank and the couple's two sons Colin, a timid, chronically shy individual and Mark, an outspoken, headstrong young man, are on the dole. This situation is contrasted by the presence of Mavis's sister Barbara, and her husband John, whose financial and social loftiness appears to be a comfortable facade over the unspoken soreness of a lackluster marriage.