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Films & Shows from Charter Film Productions

Welcome to our dedicated collection of titles produced by Charter Film Productions. Renowned for its creative vision, quality craftsmanship, and cinematic innovation, Charter Film Productions has contributed some of the most memorable and influential works to the world of film and television. Whether you’re a longtime follower of their productions or discovering their catalogue for the first time, this selection offers a window into the storytelling excellence and artistic flair that define Charter Film Productions’s legacy.

With 13 outstanding titles currently featured, our continuously updated lineup includes both celebrated classics and exciting new releases. Explore detailed descriptions, user ratings, and reviews to find the perfect movie or show for your next viewing session. Immerse yourself in the rich tapestry of narratives and visual styles that Charter Film Productions brings to the screen, and experience the magic of their productions from the comfort of your own home.

There's a Girl in My Soup (1970)

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TV personality Robert Danvers, an exceedingly vain rotter, seduces young women daily, never staying long with one. He meets his match in Marion, an American, 19, who's available but refuses any romantic illusions.

Twisted Nerve (1968)

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Martin Durnley is a young man with an infantilizing mother, resentful stepfather and an institutionalized brother with Down's syndrome. To cope, he retreats into an alternate child personality he calls Georgie. After being caught during a theft attempt at a department store, he befriends a female customer who is sympathetic to him, but his friendship soon turns into obsession.

Rotten to the Core (1965)

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Rogues Jelly Knight, Scapa Flood, and Lennie the Dip leave prison expecting boss The Duke to have their stash ready to share out. Instead, Duke's girl Sara gives them the news Duke is dead and the money gone on nursing care. They soon discover that Duke is actually running Hope Springs Nature Clinic with the help of most of the local villains. Very strange - and the nearby army camp and Sara's encouragement of Lieutenant Vine would seem to be no coincidence either. Written by Jeremy Perkins

Heavens Above! (1963)

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A naive but caring prison chaplain, who happens to have the same last name as an upper class cleric, is by mistake appointed as vicar to a small and prosperous country town. His belief in charity and forgiveness sets him at odds with the conservative and narrow-minded locals, and he soon creates social ructions by appointing a black dustman as his churchwarden, taking in a gypsy family, and persuading the local landowner to provide free food for the church to distribute free to the people of the town. When the congregation leaders realise the mistake and call for the Church of England to remove him, this turns out to be a very, very

Suspect (1960)

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A government team researching cures for plague find their results put on the Official Secrets list. One of their number is so incensed by this that he lets the maimed and jealous companion of a female colleague draw him into what, technically, could be a treasonable act.

A French Mistress (1960)

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The boys of Melbury Primary School are plunged into turmoil when the new French Master turns out to be a Mistress! Madelin Leforge's (the French Mistress) effect on the boys is swift and amazing. Suddenly everyone wants extra French Lessons just to glimpse the teacher in revealing shorts and bikinis. As discipline crumbles, a scandal explodes when the Head discovers the mademoiselle's mother was an old flame. Madeline must be dismissed to save further embarrassments.

I'm All Right Jack (1959)

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Naive Stanley Windrush returns from the war, his mind set on a successful career in business. Much to his own dismay, he soon finds he has to start from the bottom and work his way up, and also that the management as well as the trade union use him as a tool in their fight for power.

Lucky Jim (1957)

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Jim Dixon feels anything but lucky. At the university he has to do the bidding of absent-minded and boring Professor Welch to have any hope of keeping his job. Worse, he has managed to get entangled with unexciting but neurotic Margaret Peel, a friend of the Professor's. All-in-all, the pub is the only friendly place to be. His misery is completed at a dreadful weekend gathering of the Welch clan by the arrival of son Bertrand. Not so much that Betrand is loud-mouthed and boorish - which he is - but that he has as companion Christine Callaghan, the sort of marvellous and unattainable woman Jim can only dream about.

Brothers in Law (1957)

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Roger Thursby is an overly keen, newly-qualified barrister who rubs his fellow barristers up the wrong way. When he is thrown in at the deep-end, with a particularly hot-tempered judge and tricky case, Thursby learns how to prove himself not only to the judge and fellow barristers but also to the public gallery.

Private's Progress (1956)

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Stanley Windrush has to interrupt his university education when he is called up towards the end of the war. He quickly proves himself not to be officer material, but befriends wily Private Percival Cox who knows exactly how all the scams work in the confused world of the British Army. And Stanley's brigadier War Office uncle seems to be up to something more than a bit shady too - and they are both soon working for him, behind the enemy lines.

Brighton Rock (1948)

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Centring on the activities of a gang of assorted criminals and, in particular, their leader – a vicious young hoodlum known as "Pinkie" – the film's main thematic concern is the criminal underbelly evident in inter-war Brighton.

Thunder Rock (1942)

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David Charleston, once a world renowned journalist, now lives alone maintaining the Thunder Rock lighthouse in Lake Michigan. He doesn't cash his paychecks and has no contact other than the monthly inspector's visit. When alone, he imagines conversations with those who died when a 19th century packet ship with some 60 passengers sank. He imagines their lives, their problems, their fears and their hopes. In one of these conversations, he recalls his own efforts in the 1930s when he desperately tried to convince first his editors, and later the public, of the dangers of fascism and the inevitability of war. Few would listen. One of the

Pastor Hall (1940)

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The village of Altdorf has to come to terms with Chancellor Hitler and the arrival of a platoon of Stormtroopers. The Stormtroopers go about teaching and enforcing "The New Order", but Pastor Hall, a kind and gentle man, won't be cowed. Some villagers join the Nazi party avidly, and some just go along with things, hoping for a quiet life, but Pastor Hall takes his convictions to the pulpit.