Films & Shows from Cinéma Defacto
Welcome to our dedicated collection of titles produced by Cinéma Defacto. Renowned for its creative vision, quality craftsmanship, and cinematic innovation, Cinéma Defacto has contributed some of the most memorable and influential works to the world of film and television. Whether you’re a longtime follower of their productions or discovering their catalogue for the first time, this selection offers a window into the storytelling excellence and artistic flair that define Cinéma Defacto’s legacy.
Grand Tour (2024)
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In 1917 Burma (now Myanmar), a British diplomat is set to marry his fiancée, but after a sudden panic, escapes to Singapore, sending her on what evolves into a chase across Asia.
Familiar (2023)
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Dragos Binder is doing research in order to write a fiction film based on the true event of his parents fleeing the country in the 80s communist Romania, but then he changes the subject, moving the camera lens on himself.
The Cow Who Sang a Song into the Future (2023)
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A Chilean family is shaken by the sudden return of a long-dead matriarch.
Rabiye Kurnaz vs. George W. Bush (2022)
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Desperate to help her son, Rabiye Kurnaz, a housewife and loving mother from Bremen, goes to the police, notifies authorities and almost despairs at their impotence and in the end, against all the odds, something truly remarkable happens.
Costa Brava, Lebanon (2022)
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Members of a family quit the polluted, rubbish-strewn city of Beirut for an idyllic mountain home. However, their dreams of a utopian existence are shattered by the construction of a landfill on the boundary of their land.
Olga (2021)
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2013. Exiled in Switzerland, Olga, a talented and passionate 15-year-old Ukrainian gymnast, is trying to secure a place in the National Sports Centre. But the Euromaidan revolt erupts in Kyiv, and suddenly her loved ones are involved. While the girl is adapting to her new country and preparing for the European Championships, the Ukrainian revolution makes its way into her life, and nothing will ever be the same again.
The Load (2019)
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Vlada works as a truck driver during the NATO bombing of Serbia in 1999. Tasked with transporting a mysterious load from Kosovo to Belgrade, he drives through unfamiliar territory, trying to make his way in a country scarred by the war. He knows that once the job is over, he will need to return home and face the consequences of his actions.
Moon Hotel Kabul (2018)
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Ivan Semciuc (a journalist), is a charismatic man nonetheless guilty of cynicism and lack of compassion. A seemingly meaningless sexual encounter with a translator in a hotel room in Kabul produces a vital revolution in Ivan’s unshakeable lifestyle. After Ivan’s arrival back to Bucharest, Ioana is found dead, with her wrists cut. Ivan starts living in the absent presence of Ioana, who is starting to be more vivid in death than in life.
Milla (2018)
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A young woman struggles to overcome lost love, unplanned motherhood and ghostly apparitions.
What Will People Say (2017)
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Sixteen year-old Nisha lives a double life. At home with her family she is the perfect Pakistani daughter, but when out with her friends, she is a normal Norwegian teenager. When her father catches her in bed with her boyfriend, Nisha's two worlds brutally collide. To set an example, Nisha's parents decide to kidnap her and place her with relatives in Pakistan. Here, in a country she has never been to before, Nisha is forced to adapt to her parents' culture.
Apprentice (2016)
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When ambitious young correctional officer Aiman is transferred to the country's highest-security prison, he catches the attention of the seasoned chief executioner Rahim. Aiman's desire to become the hangman's apprentice is not only professional but born of an unspeakable urge to reconnect with a past that haunts him.
The Assistant (2015)
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With his wife in labor, father-to-be Thomas (Malik Zidi) speeds to the hospital, and in the process, accidentally kills a young man on the road. That death sets into motion events that will change everyone’s lives forever, including the young man’s mother Marie-France (Nathalie Baye), who cannot recover from the trauma. Nine years later, Marie-France takes a job as Thomas’s secretary without him knowing about her connection to his past. As Marie-France’s maternal rage reaches tragic proportions, she insinuates herself into his life, his work and his family in this classic thriller à la Hitchcock.
The Here After (2015)
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When John returns home to his father after serving time in prison, he is looking forward to starting his life afresh. However, in the local community his crime is neither forgotten nor forgiven.