Films & Shows from Cine Argentino
Welcome to our dedicated collection of titles produced by Cine Argentino. Renowned for its creative vision, quality craftsmanship, and cinematic innovation, Cine Argentino has contributed some of the most memorable and influential works to the world of film and television. Whether you’re a longtime follower of their productions or discovering their catalogue for the first time, this selection offers a window into the storytelling excellence and artistic flair that define Cine Argentino’s legacy.
The Delinquents (2023)
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Morán works as a clerk in a bank in Buenos Aires. He is as good as invisible to his colleagues. Over dinner with his colleague Román, Morán tells him that he stole exactly $650,000, which is exactly double what he would have made until his retirement. He plans to turn himself in, but not before offering Román to split the money if agrees to hide it for the duration of his incarceration.
I Choose to Believe (2023)
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It narrates the epic title obtained by the Argentine National Team in the World Cup Qatar 2022 with testimonies of the protagonists, told from the intimacy and in first person.
When Evil Lurks (2023)
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Residents of a small rural town discover that a demon is about to be born among them. They desperately try to escape before the evil is born, but it may be too late.
Jesús López (2022)
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Jesús López, a young racing driver, dies accidentally leaving his town in astonishment. His cousin Abel, a drifting teenager, gradually feels tempted to take his place in life.
The Heist of the Century (2020)
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In 2006, a group of thieves performed what is considered one of the most famous and smart bank heists in the history of Argentina. How they robbed the Rio bank is as surprising as what happened afterwards. This is their story.
Furtive (2020)
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Park Ranger Pablo Silva remakes his life in his new destination, a forgotten and troubled place that few want to go to, the Pereyra Iraola Park. Soon, under an apparent tranquility, he discovers a network of poachers, traffc and hoaxes. His old hunter instinct will arise. He can hide from everyone, except himself.
Lava (2019)
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Deborah makes a living by drawing the skin of her clients. One night, her housemate invites her boyfriend and friend to their house. Sitting in the armchair, they consume the series of the moment, Gain of Clones, until, suddenly, the signal is cut off and the screen is dyed red while subliminal images float. No one remembers what happened the last two minutes. The answer will be in the enigmatic presence of giant cats that will later invade the city.
Again Once Again (2019)
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Romina returns to her roots to rediscover who she is. After the first overwhelming years as a mother, it's as if the mist starts to rise: she's a little too old for disco parties and hanging round with twenty-somethings, but still young enough to fantasise about others. Actress Romina Paula points the camera at herself, her son and her mother in this intriguing mixture of documentary and fiction.
Heroic Losers (2019)
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In a town in the Northwest of the province of Buenos Aires, a group of neighbors is organized to recover the economy of the area, but when the corralito is implemented in the country and they suffer a fraud, their hopes disappear. Now, they will unite to recover the lost money and give the blow of their lives to their greatest enemy.
Memories of a Teenager (2019)
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After the suicide of his best friend and the fire of a local dance called Cromañón, including recitals, illegal parties in an abandoned warehouse and high school, a year passes by in the life of Zabo who writes everything he feels and lives in his blog, "Memories of a teenager".
Porn for Newbies (2019)
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An amateur filmmaker’s life gets complicated when a mobster hires him to direct a pornographic horror movie starring a frighteningly sexy actress.
Rojo (2018)
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A small town in an Argentinian province, 1975. The life of Claudio, a successful lawyer, gets complicated when he has a stupid quarrel with a stranger in a crowded restaurant.
Theatre of War (2018)
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Theatre of War is an essay on how to represent war, performed by former enemies. British and Argentinian veterans of the Falklands war come together to discuss, rehearse and re-enact their memories 35 years after the conflict.
A Family Submerged (2018)
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Marcela’s world becomes strange and unfamiliar after her sister Rina dies. She feels lost in her own house, and her relationship with her husband and children seems to suffer. But when Nacho, a young friend of her daughter’s, unexpectedly drops by, she starts to talk and walk with him. Gradually Marcela begins to have conversations with relatives from another dimension.
My Masterpiece (2018)
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Arturo, the successful owner of an art gallery, and Renzo, a talented but decadent painter, are old friends who cannot stop bickering. One day, Arturo comes up with a solution to all their problems, but the plan they concoct turns out to be crazier and riskier than they originally expected.
The Last Man (2018)
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Tov Matheson is a war veteran with PTSD who perceives that the apocalypse is coming. After starting a relationship with a dubious Messiah, he leaves his normal life and begins the construction of a shelter underground, training himself, in an extreme way, at the cost of losing everything and making people believe he is insane. When he also believes it, something extraordinary happens.
Silence Is a Falling Body (2017)
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The film follows Agustina as she finds the videotapes that her father Jaime recorded before the accident that took his life. The family secrets surrounding Jaime push Agustina to get involved. Her search will reveal a story marked by sexuality and political activism.
What the Waters Left Behind (2017)
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Epecuén was one of the most important touristic villages of Argentina. Thousands of people concurred, attracted by the healing properties of its thermal waters. On November 10th 1985, a huge volume of water broke the protecting embankment and the village was submerged under ten meters of salt water. Epecuén disappeared. Thirty years later, the waters receded and the ruins of Epecuén emerged exposing a bleak and deserted landscape. The residents never returned. The plot revolves around a group of young people that take a trip to the ruins in order to film a documentary about Epecuén. Ignoring the warnings, and after a brief tour, they get