Films & Shows from Cinema Center Films
Welcome to our dedicated collection of titles produced by Cinema Center Films. Renowned for its creative vision, quality craftsmanship, and cinematic innovation, Cinema Center Films has contributed some of the most memorable and influential works to the world of film and television. Whether you’re a longtime follower of their productions or discovering their catalogue for the first time, this selection offers a window into the storytelling excellence and artistic flair that define Cinema Center Films’s legacy.
Prime Cut (1972)
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A group of ruthless Chicago mob enforcers are sent to Kansas City to settle things with the owner of a slaughterhouse who has taken money that is not his to keep.
The Revengers (1972)
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The life of peaceful rancher John Benedict is torn apart when his family is massacred by a gang of marauding outlaws and his farm is destroyed. He assembles a team of mean, lawless convicts to act as his posse as he pursues the gang responsible for the deaths of his loved ones.
Snoopy, Come Home (1972)
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When Snoopy receives a letter from his original owner Lila, he goes to visit her in the hospital while Charlie Brown and the gang are on the lookout for him. Suddenly, Snoopy feels that he must go live with Lila, but must say goodbye to all his friends. In his adventure to the hospital, he encounters numerous "No Dogs Allowed" signs, an annoying little girl who desires to keep him, and more!
The War Between Men and Women (1972)
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A sarcastic near-sighted cartoonist, averse to commitment, falls for a single mother of three — the only woman who can stand his strong anti-feminist opinions.
Something Big (1971)
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Joe Baker has a dream. He wants to do 'something big.' When he needs a Gatling gun to accomplish this, he seeks out a black marketeer. The price he wants for the gun? A woman! So Baker kidnaps a woman off of the stagecoach, only to find that she is the wife of the commandant of the local Cavalry detachment. Things get further complicated when a girl named Dover McBride shows up. She has come to force Baker to marry her and return east, as he promised to do four years earlier
Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? (1971)
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A hit pop songwriter, who cannot love himself or others, spends his days with various women flying his plane, and dropping in to the world around him.
Big Jake (1971)
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An aging Texas cattle man who has outlived his time swings into action when outlaws kidnap his grandson.
Le Mans (1971)
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Filmed during the annual 24-hour endurance race at Le Mans, Michael Delaney is a Porsche driver haunted by the memory of an accident at the previous year's race in which a competing driver was killed. Delaney also finds himself increasingly infatuated with the man's widow.
Rio Lobo (1970)
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After the Civil War, a former Union colonel searches for the two traitors whose perfidy led to the loss of a close friend.
A Man Called Horse (1970)
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In 1825, English peer Lord John Morgan is cast adrift in the American West. Captured by Sioux Indians, Morgan is at first targeted for quick extinction, but the tribesmen sense that he is worthy of survival. He eventually passes the many necessary tests that will permit him to become a member of the tribe.
Something For Everyone (1970)
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In post-war Austria, an opportunistic young man begins working as a footman to a widowed countess and uses his sexual talents to better his station in life.
The Boys in the Band (1970)
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A witty, perceptive and devastating look at the personal agendas and suppressed revelations swirling among a group of gay men in Manhattan. Harold is celebrating a birthday, and his friend Michael has drafted some other friends to help commemorate the event. As the evening progresses, the alcohol flows, the knives come out, and Michael's demand that the group participate in a devious telephone game, unleashing dormant and unspoken emotions.
Scrooge (1970)
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A musical adaptation of Charles Dickens' classic ghost tale starring Albert Finney.
Monte Walsh (1970)
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Monte Walsh is an aging cowboy facing the ending days of the Wild West era. As barbed wire and railways steadily eliminate the need for the cowboy, Monte and his friends are left with fewer and fewer options. New work opportunities are available to them, but the freedom of the open prarie is what they long for. Eventually, they all must say goodbye to the lives they knew, and try to make a new start.
Adam at Six A.M. (1970)
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A disenchanted young Professor of Semantics at a California college learns of a distant relative's death in Missouri. He journeys cross-country to the funeral, then decides to spend the summer there and work as a laborer for a power-line company. In time, he meets a girl and falls in love but then faces an important decision as to which direction he wants his life to go.
Me, Natalie (1969)
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Since she was a child, Natalie Miller has always thought she was an ugly ducking. Despite her mother's encouragement that she will grow up to be pretty, Natalie has never believed it will happen. She rents a Greenwich Village apartment from an eccentric landlady and gets a job at the Topless Bottom Club. She rides a motorcycle to work, decorates her loft with a moose head, and rides up and down a dumbwaiter to get to her apartment. There Natalie meets David an artist, and the two have a love affair before she discovers he is married.
The Reivers (1969)
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In turn-of-the-century Mississippi, an 11-year-old boy comes of age as two mischievous adult friends talk him into sneaking the family car out for a trip to Memphis and a series of adventures.