Films & Shows from Compagnie Industrielle Et Commerciale Cinématographique
Welcome to our dedicated collection of titles produced by Compagnie Industrielle Et Commerciale Cinématographique. Renowned for its creative vision, quality craftsmanship, and cinematic innovation, Compagnie Industrielle Et Commerciale Cinématographique has contributed some of the most memorable and influential works to the world of film and television. Whether you’re a longtime follower of their productions or discovering their catalogue for the first time, this selection offers a window into the storytelling excellence and artistic flair that define Compagnie Industrielle Et Commerciale Cinématographique’s legacy.
Angelique and the Sultan (1968)
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This film finds Angélique in a North African Muslim kingdom where she is now part of the Sultan's harem. The first part of the film consist of her angrily refusing to be bedded as well as their trying to literally beat some sense into her. It all seems to go on too long and I was surprised that the Sultan simply didn't have her killed. Late in the film, she finally decides to escape with the help of two Christian prisoners.
Le Samouraï (1967)
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After carrying out a flawlessly planned hit, Jef Costello, a contract killer with samurai instincts, finds himself caught between a persistent police investigator and a ruthless employer, and not even his armor of fedora and trench coat can protect him.
Angelique: The Road To Versailles (1965)
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Angelique is saved by the king of the cutthroats when she is endangered in the streets of Paris. After her hero is killed, she has many amorous affairs and becomes a successful businesswoman.
Angelique (1964)
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In 17th-century France, beautiful country maiden Angélique marries wealthy neighbor Jeoffray de Peyrac out of convenience, but eventually, she falls in love with him. So when Jeoffray is arrested and then vanishes, she bravely sets out to find him. This is the first of many dramas based on Anne and Serge Golon's novels about strong-willed Angélique and her adventures during the reign of Louis XIV, the Sun King.
OSS 117 Is Unleashed (1963)
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An American agent disappears after a scuba diving reconnaissance mission in Corsica. The Secret Service sends agent code name OSS 117 to investigate.
The Trojan Horse (1961)
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Trojan hero Aeneas battles to save his city from the Greeks, but once Troy falls, he leads the 600 survivors to Italy and founds the city of Rome.
Son of Samson (1960)
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Maciste travels to Egypt, where he leads a revolt against an evil queen. In Son of Samson, Maciste (Mark Forrest) -- scion of the famed muscleman -- travels to the Egyptian city of Tanis to checkmate villainous Queen Smedes (Chelo Alonso), who's persecuting the citizenry.
Fever Mounts at El Pao (1959)
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Aroused citizens assassinate an unpopular Caribbean despot, then two men vie for his gorgeous widow Ines. Ojeda is a steamy, isolated island, the penal colony for an oppressive dictatorship. A reactionary seizes the murdered governor's post, and rushes to eliminate his romantic rival, an idealistic underling. The bureaucrat Vazquez hopes to marshal the angry residents of the capitol, El Pao, plus the many political prisoners, to oust Governor Gual.
The Witches of Salem (1957)
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Salem 1692. The young Abigail, seduced and abandoned by John Proctor, accuses John's wife of being a witch in revenge. A series of tragic trials soon befall Salem as fear and suspicion blur the lines of reality.
Gervaise (1956)
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An adaptation of Émile Zola’s 1877 masterpiece L’assommoir, the film is an uncompromising depiction of a lowly laundress’s struggles to deal with an alcoholic husband while running her own business.
The Wages of Fear (1953)
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In a run-down South American town, four men are paid to drive trucks loaded with nitroglycerin into the jungle through to the oil field. Friendships are tested and rivalries develop as they embark upon the perilous journey.
Edward and Caroline (1951)
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Newlyweds Edward & Caroline are preparing for an important evening when a quarrel over Caroline's dress sets off a series of domestic brouhahas.