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Films & Shows from Complex Corporation

Welcome to our dedicated collection of titles produced by Complex Corporation. Renowned for its creative vision, quality craftsmanship, and cinematic innovation, Complex Corporation has contributed some of the most memorable and influential works to the world of film and television. Whether you’re a longtime follower of their productions or discovering their catalogue for the first time, this selection offers a window into the storytelling excellence and artistic flair that define Complex Corporation’s legacy.

With 3 outstanding titles currently featured, our continuously updated lineup includes both celebrated classics and exciting new releases. Explore detailed descriptions, user ratings, and reviews to find the perfect movie or show for your next viewing session. Immerse yourself in the rich tapestry of narratives and visual styles that Complex Corporation brings to the screen, and experience the magic of their productions from the comfort of your own home.

Bill Nye: Science Guy (2017)

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Bill Nye is retiring his kid show act in a bid to become more like his late professor, astronomer Carl Sagan. Sagan dreamed of launching a spacecraft that could revolutionize interplanetary exploration. Bill sets out to accomplish Sagan's mission, but he is pulled away when he is challenged by evolution and climate change contrarians to defend the scientific consensus. Can Bill show the world why science matters in a culture increasingly indifferent to evidence?

The Devil and Daniel Johnston (2006)

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This 2005 documentary film chronicles the life of Daniel Johnston, a manic-depressive genius singer/songwriter/artist, from childhood up to the present, with an emphasis on his mental illness and how it manifested itself in demonic self-obsession.

All the Vermeers in New York (1992)

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A parable of the missteps of life enacted in the hothouse world of late 1980’s New York, in which the art market and the stock market each boomed, and in process spawned a smorgasbord of “yuppie” delusions which still persist. Anna, a French actress studying in New York, crosses paths with a successful stock-broker, Mark, standing before a Vermeer portrait at the Metropolitan, thence ensues a peculiar romance of missed meanings and connections, with tangential asides to the steaming arts world and stock market, loft-mate conflicts, and, perhaps, love. Wrapped up in their blindered worlds, Anna and Mark deflect away from their chances,