Films & Shows from Daiei Film
You’re now browsing page 3, where we continue to showcase even more remarkable titles produced by Daiei Film. If you’ve already discovered some standout works on previous pages, now’s the perfect time to delve deeper and find your next favorite. Keep exploring and enjoy the journey!
Gamera vs. Guiron (1969)
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Two young boys sneak aboard a spaceship and find themselves whisked away to the mysterious planet Terra. There, they encounter Gamera's old foe Gyaos and two female aliens with a taste for human brains. Gamera must save the children and battle the new monster Guiron, whose entire body is a deadly living weapon.
Sleepy Eyes of Death 10: Hell Is a Woman (1968)
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Two devious retainers are competing to take control of a fief when the current Lord dies, but involving Kyoshiro in the conflict against his will is the textbook example of a bad idea - especially when the collateral damage starts to tick him off.
Samaritan Zatoichi (1968)
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Zatoichi is forced to kill a young man who owes a debt to a yakuza boss. Moments later, his sister Osode arrives with the money she earned (prostituting herself) to pay his debts. The bosses true motives are revealed and he attempts to steal Osode even though the debt is paid. Zatoichi realizes his grievous error and protects the girl from the gang. Osode and Zatoichi are caught in a dilemma as she must rely on her brother's killer for protection and Zatoichi wrestles with the injustice he has caused.
Gamera vs. Viras (1968)
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As alien invaders plot to conquer the Earth, two Boy Scouts steal a mini-submarine and discover Gamera in their midst. Transported to the alien's spaceship, the Scouts are menaced by the evil inhabitants, including Viras, a squid-like monster that grows to colossal size to battle Gamera.
Yokai Monsters: 100 Monsters (1968)
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A greedy developer, in league with a corrupt Shrine Magistrate, brutally tries to drive people out of a tenement building and destroy the shrine in back. But he makes the fatal mistake of hosting a 100 Ghost Stories ceremony without the closing cleansing ritual, opening the door for the Yokai Monsters to punish the wicked.
Yokai Monsters: Spook Warfare (1968)
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When a Babylonian vampire comes to old Japan, an army of Japanese demons and ghosts gather and battle him.
Lone Wolf Isazo (1968)
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Isazo is a traveling gambler and living legend in the world of yakuza, known for his swordsmanship and bravery, his impeccable manners, and his brilliant talent in gambling. One late fall at an inn in Kiso Fukushima, Isazo befriends a young boy whose mother turns out to be his old love Yoshino, with whom he was not unable to consummate a marriage due to the class differences between them.
The Snow Woman (1968)
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A master sculptor and his apprentice are trapped in a bad snow storm after finding a special tree for carving a statue for the local temple. Finding refuge in an abandoned hut they celebrate their luck in finding the tree but soon they are visited by the Snow Witch who freezes the sculptor to death but takes pity on the apprentice. He must promise to never speak of this or she'll return and kill him.
Zatoichi and the Fugitives (1968)
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Zatoichi runs afoul of some evil fugitives, working for a corrupt law official.
The Bride from Hades (1968)
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On the night of the summer Obon festival, Hagiwara Shinzaburo meets a beautiful courtesan named Otsuyu. Not knowing she's a ghost, he becomes infatuated by her.
Sleepy Eyes of Death 9: Trail of Traps (1967)
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The Son of the Black Mass returns in this ninth installment in Daiei's longstanding Nemuri Kyoshiro series. This time Raizo Ichikawa as Nemuri is called to see that a gold statuette of the Virgin Mary gets safe passage to Kyoto from the prying hands of a sect of murderous Christian ronin that call themselves the Black Finger Group.
The Hoodlum Priest (1967)
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The first film in the 2 part series about Ryuzen, a renegade martial-arts priest who, in addition to breaking all the commandments against sex and gambling, opens his own gambling den in direct defiance of the local yakuza boss. Exciting action and a twisty plot this movie breaks new barriers in Japanese cinema. Katsu Shintaro is superb in one of his better non-Zato Ichi roles as he fights off the advances of a love-lorn woman and risks his life to defeat the powerful gambling boss who has a stranglehold on the town.
Zatoichi's Cane Sword (1967)
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Zatoichi comes upon the town of Tonda, overrun by gangsters. Using one of his favorite techniques, Zatoichi proceeds to win 8 ryo in a rigged gambling game. Of course, the local gangsters attempt to kill him, and the adventure begins. It turns out a blacksmith named Senzo examines Zatoichi's cane sword, and discovers it to be forged by his old mentor. Senzo discovers the sword is at the end of its usefulness and will break when it is used next.
Zatoichi Challenged (1967)
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Ichi is staying at an inn when a woman dies. Her dying wish is that Ichi take her son to his father, an artist living in a nearby town. After arriving in the town, Ichi finds out that the father has been forced by a local boss to create illegal pornography to pay off his gambling debts. Ichi makes it his mission to save tha man and reunite the family, even though it brings him into conflict with a samurai he sort of befriended on his way to the town.
Gamera vs. Gyaos (1967)
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Unusual volcanic activity in Japan awakens Gyaos, a bloodthirsty flying monster with the power to slice things in half with an ultrasonic ray. While scientists and the military scramble to devise a way to stop this new threat, a young boy forms an alliance with Gamera; a monster no one else seems to trust.
A Certain Killer (1967)
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A former soldier, reduced to working at a restaurant post-war, becomes a contract killer for the yakuza gangs he's in contact with.
Sleepy Eyes of Death 7: The Mask of the Princess (1966)
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The masked daughter of the Shogun wants to kill a samurai who has seen her scarred face. She sends waves of ninja warriors to kill the samurai and plots diabolical schemes / ambushes without much success.
Wrath of Daimajin (1966)
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In a mountainous region of Japan, Lord Arakawa kidnaps the men of nearby villages to use as slave labor, producing gunpowder from his sulfur pits. A band of young boys decide to rescue their enslaved fathers on their own.