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Films & Shows from Defa-Studio Für Wochenschau Und Dokumentarfilme

Welcome to our dedicated collection of titles produced by Defa-Studio Für Wochenschau Und Dokumentarfilme. Renowned for its creative vision, quality craftsmanship, and cinematic innovation, Defa-Studio Für Wochenschau Und Dokumentarfilme has contributed some of the most memorable and influential works to the world of film and television. Whether you’re a longtime follower of their productions or discovering their catalogue for the first time, this selection offers a window into the storytelling excellence and artistic flair that define Defa-Studio Für Wochenschau Und Dokumentarfilme’s legacy.

With 3 outstanding titles currently featured, our continuously updated lineup includes both celebrated classics and exciting new releases. Explore detailed descriptions, user ratings, and reviews to find the perfect movie or show for your next viewing session. Immerse yourself in the rich tapestry of narratives and visual styles that Defa-Studio Für Wochenschau Und Dokumentarfilme brings to the screen, and experience the magic of their productions from the comfort of your own home.

Who's Afraid of the Bogeyman (1989)

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Portrait of a private coal company in East Berlin's Prenzlauer Berg district in 1988/89. The feisty woman boss runs the business with humour and understanding. Her seven male employees respect her. To the outside world, they are all tough guys, but as they describe their jobs and personal situations, above and beyond the hard manual labour, their vulnerability starts to come to light.

After Winter Comes Spring (1989)

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A locomotive journey traversing the North to the South of the German Democratic Republic on the eve of its dissolution. Labourers, punks, mothers, intellectuals, young and old are implored to reflect on their life choices, the sacrifices they've made, and their place in the world. Despite everything, hope persists.

Our Children (1989)

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From an official perspective, marginal youth culture did not exist in East Germany. The topic of subcultures was taboo in the GDR, and groups such as goths, skinheads, anti-skins, punks and neo-Nazis were dismissed as social deviations promoted by western countries. Director Roland Steiner had access to such young East Germans in the late 1980s. Over the course of four years, he brought them before the camera in an attempt to understand what drew them to these groups.