Films & Shows from Deutsche Film- Und Fernsehakademie Berlin (Dffb)
Welcome to our dedicated collection of titles produced by Deutsche Film- Und Fernsehakademie Berlin (Dffb). Renowned for its creative vision, quality craftsmanship, and cinematic innovation, Deutsche Film- Und Fernsehakademie Berlin (Dffb) has contributed some of the most memorable and influential works to the world of film and television. Whether you’re a longtime follower of their productions or discovering their catalogue for the first time, this selection offers a window into the storytelling excellence and artistic flair that define Deutsche Film- Und Fernsehakademie Berlin (Dffb)’s legacy.
Till the End of the Night (2023)
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The undercover investigator Robert is supposed to win the trust of a criminal through a fictitious relationship with Leni. However, the feelings are not just a game. It is the spied criminal, of all people, who makes him confront his contradictory feelings…
Talking About the Weather (2022)
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Clara is studying for a Ph.D in philosophy in Berlin. In this middle-class male academic environment, she feels pushed to one side. She returns to her childhood village in former East Germany for her mother's birthday, and becomes aware that a distance has grown between her and her family.
Second Thoughts (2022)
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When Marie’s boyfriend proposes to her in front of his entire family, she doesn't know what to say and flees to the countryside to think it over alone. But her thoughts accompany her. They sit around her in flesh and blood: Her mother pesters her with baby names, exboyfriends climb down trees and a woman in a sari narrates her life in poems. Her would-be fiancé eventually joins her, clashing his own luggage of thoughts with hers. But what if you show your thoughts to each other? How much honesty can a relationship take? In her first feature, director Zora Rux, an apprentice of Swedish filmmaker Roy Andersson, tells a surrealistic story of
What Do We See When We Look at the Sky? (2021)
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In the Georgian riverside town of Kutaisi, summertime romance and World Cup fever are in the air. After a pair of chance encounters, pharmacist Lisa and soccer player Giorgi find their plans for a date undone when they both awaken magically transformed with no way to recognize each other.
Aren't You Happy? (2019)
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A girl roams through the city looking for a place to sleep. Along the way she meets young mothers who celebrate motherhood religiously, goes home with an abstinent existentialist for whom sex is “just another market”, and waits for the end of capitalism in a drag bar. Her attempt to write a book doesn’t make it beyond the first sentence of the second chapter, and she finds no space between art galleries, yoga studios and the beds of strangers. Instead of trying to fit in, she starts regarding her depression as a political issue.
Thirty (2019)
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Twenty-four hours with a group of friends on a Friday in October in Berlin’s district of Neukölln. Övünç is suffering from writer’s block, Pascal and Raha split up recently and are trying to stay friends. Kara constantly sublets her flat to keep herself moving. Henner spends the day in a bar and meets a girl by the name of Anja. That evening they celebrate Övünç’s birthday and drift together through the city’s nightlife. The film depicts six young people in their struggle with the daily grind of life in Berlin and the reality of turning thirty.
Love Movie (2018)
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Lenz is a daydreamer. Charming, visionary and – as it is good manners for a thirty-year-old in Berlin – radically incapable of decision making. After an intense party night, Lenz wakes up next to Ira, completely deranged. Lenz is in love. As well as Ira. The summer of love begins: fooling through the nights of Berlin, beers at the canal, talks about sex and childhood. Everything is beautiful. Up until the moment when Ira asks this one question that changes everything: „Do you want to have kids?“ Now is the time for Lenz to do what he knows best, when things get tricky. He runs off. Anchorless, he stumbles through the summer and has to take
Hagazussa (2018)
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In the 15th century, a young goatherd living alone in a mountain hut feels a dark presence in the woods.
Self-Criticism of a Bourgeois Dog (2017)
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The story of the dog from the title, who in a frame narrative explains how he came to be transformed from an unemployed communist filmmaker into a canine with a philosophical bent. Unable to finance his new project, young Berlin-based director Julian tells foreign exchange student Camille that his job in the countryside is research for an upcoming film. When Camille offers to help, he is forced to uphold the lie. The plantation isn’t the proletarian idyll he had hoped for, but fortunately the reincarnation of Francis of Assisi provides spiritual insight and a new aim in life.
Sarah Plays a Werewolf (2017)
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17-year old Sarah, filled with adolescent angst, is an extreme person who in her rehearsals with a theatre group is transformed until she is almost in a trance, and her performances at home or elsewhere verge on excess. A cold, intellectual father, a timid mother, a younger sister and an older brother who has left home complete the picture: a silent time bomb.
Fado (2016)
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The mysteriously familiar face of a deceased young woman shakes young surgeon Fabian out of his lethargy. On a whim, he leaves Berlin for Portugal, determined to win back his former girlfriend Doro, who works at an architectural company in Lisbon.
Asta Upset (2014)
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The film is set in a modern day 'Berlin Republic' liberated from all irrelevancies. It's about artistic production, the creative industries and above all film and cinema - a political manifesto in feature film format. It centres on Asta, tough, hardened by theory and immaculately styled right down to the emblems on her leather jacket, with current art scene jargon flowing elegantly from her lips.
Black Panther (2013)
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After many years apart, Emilie meets her brother Jakob again. She not only shares her sadness about the loss of their parents with him, but also a secret...
Whispers Behind the Wall (2013)
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Martin leaves his protective parents’ home and comes to Berlin as a law student with high hopes. He finds a tiny, run-down flat in a strange, dark apartment block, from which the previous tenant has disappeared without a trace. Having no luck with social contacts at the university, Martin quickly falls for his mysterious landlady Simone, who lives just next door behind a thin wall. Hoping to find trust and intimacy, Martin loses himself in the house’s disturbing world of sex and violence. Deep in the walls, Martin discovers the true horror of his first love.
My Sister’s Good Fortune (1995)
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A young photographer has fallen in love with his girlfriend's sister. Nobody knows quite what to do. A stylish variation on the problems of triolism made with striking stability of style and a great feeling for mise-en-scène.
Far Away (1992)
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Weit entfernt depicts in black and white a telephone conversation between two women, one of whom states that apart from the people she loves, she only wishes to meet others once in her life.
Lovely Yellow Color (1991)
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A story told in the off about the growing discomfort towards the new roommate Valentin. The camera pans through the empty room, over the shadows on the wall and the wallpaper, the yellow scarf and the postcard from Italy with the sunflowers
Is This Fate? (1979)
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A portrait of a family in Berlin in the late 1970s, this film focuses on the mother.