Films & Shows from First National Pictures
You’re now browsing page 5, where we continue to showcase even more remarkable titles produced by First National Pictures. If you’ve already discovered some standout works on previous pages, now’s the perfect time to delve deeper and find your next favorite. Keep exploring and enjoy the journey!
The Crash (1932)
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Linda Gault is a luxury loving wife who casually seduces other men while getting investment tips from one of her lovers.
You Said a Mouthful (1932)
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Two men bear the name Joe Holt. One is a shipping clerk, the other a champion Canadian swimmer. When a socialite gets them confused, thinking the clerk is the inventor of an unsinkable swim suit, she enters him in a 20 mile swim race.
Alias the Doctor (1932)
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Karl is the workaholic adopted son while Stephan is the lazy one. They both go to Munich to study medicine and Karl is at the top of the class while Stephan is barely passing. When Stephan's actions causes the death of Anna, Karl is the one who takes the wrap and three years in prison. When he gets out, he finds Stephan is dead and a sick child needs an operation and he does brilliant surgery. This gets him noticed and his mother tells them that he is Stephan Brenner, not Karl Brenner. She tells Karl that he must cure sickness in the world. But, being that he is Stephan, he can no longer marry Lottie, as she is now his sister.
Silver Dollar (1932)
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A farmer strikes it rich out West, then leaves his wife for a young beauty.
Chances (1931)
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Two brothers, Jack and Tom, are in love with the same woman, Molly. While the two brothers go off to war and Molly does her part in the effort, Tom believes that Rose is waiting for him, while in fact, she loves Jack and only turned to Tom on the rebound. Jack and Molly meet while he is on leave, and when he returns to battle, he doesn't know how to handle the situation with his brother.
Party Husband (1931)
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Party Husband finds ex-Ziegfield Girl Dorothy playing the better half of a thoroughly “modern marriage” whose openness threatens to bring about its premature end. Fellow Ziegfield alum Mary Doran plays the coquette whose intended conquest of the free-thinking hubby (James Rennie) starts to throw the couple’s “understanding” awry.
Local Boy Makes Good (1931)
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John is a timid student who works at the University Book Store. He is studying to be a botanist and has a secret crush on the lovely Julia. One day, one of his letters gets accidentally mailed and Julia receives it. When the letter says that he is a fraternity man and a big track star, Julia rushes right over to see him. But John is neither and Spike, Julia's boyfriend, is a track star at a nearby College. John does not want to enter the track meet so Julia tries to use psychology on him. That and a good wrestling hold makes John timidly agree to enter the race, but Spike still scares him.
Five Star Final (1931)
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Searching for headlines at any cost, an unscrupulous newspaper owner forces his editor to print a serial based on a past murder, tormenting a woman involved.
The Hot Heiress (1931)
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Classes clash when a poor riveter and wealthy society woman fall in love with each other, much to the shock of her friends and family.
Broadminded (1931)
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Jack's father lowers the boom when his irresponsible rich-kid ends up in jail after a night of debauchery. The father appoints Ossie, Jack's cousin, as guardian, not realizing that Ossie is just as bad. They set off on a transcontinental trip with mischief on their minds.
Safe in Hell (1931)
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To avoid the rigors of the law, Gilda flees New Orleans and hides on a Caribbean island where the worst criminals can ask for asylum. Besieged by the scum of the earth, Gilda will soon find out that she has found refuge in hell.
Little Caesar (1931)
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A small-time hood shoots his way to the top, but how long can he stay there?
The Dawn Patrol (1930)
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World War I ace Dick Courtney derides the leadership of his superior officer, but he soon is promoted to squadron commander and learns harsh lessons about sending subordinates to their deaths.
Show Girl in Hollywood (1930)
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Broadway actress leaves New York to become a star in Hollywood, and succeeds despite sleazy directors and her own ego.
Road to Paradise (1930)
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Loretta Young plays dual roles in this 1930 crime drama about a young thief planning to steal jewels from a wealthy socialite.
One Night at Susie's (1930)
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A woman gets help from her gangster friends after her foster son takes the blame for a murder he did not commit.
Son of the Gods (1930)
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The popular Caucasian-looking son (Richard Barthelmess) of a wealthy Chinese businessman lives away from his widowed father and passes as white, but experiences prejudice, rejection, insult, and heartache when the socialite (Constance Bennett) he loves learns of his heritage.
