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Films & Shows from Florentine Films

You’re now browsing page 2, where we continue to showcase even more remarkable titles produced by Florentine Films. If you’ve already discovered some standout works on previous pages, now’s the perfect time to delve deeper and find your next favorite. Keep exploring and enjoy the journey!

Empire of the Air: The Men Who Made Radio (1991)

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For 50 years radio dominated the airwaves and the American consciousness as the first “mass medium.” In Empire of the Air: The Men Who Made Radio, Ken Burns examines the lives of three extraordinary men who shared the primary responsibility for this invention and its early success, and whose genius, friendship, rivalry and enmity interacted in tragic ways. This is the story of Lee de Forest, a clergyman’s flamboyant son, who invented the audion tube; Edwin Howard Armstrong, a brilliant, withdrawn inventor who pioneered FM technology; and David Sarnoff, a hard-driving Russian immigrant who created the most powerful communications company on

The Civil War (1990)

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A documentary on the American Civil War narrated by Ken Burns, covering the secession of the Confederacy to the assassination of Abraham Lincoln.

The Congress (1989)

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For 200 years, the United States Congress has been one of the country's most important and least understood institutions. In this elegant, thoughtful and often touching portrait, Ken Burns explores the history and promise of this unique American institution. Using historical photographs and newsreels, evocative live footage and interviews with David Broder, Alistair Cooke, Cokie Roberts, Charles McDowell and others, the award-winning film chronicles the personalities, events and issues that have animated the first 200 years of Congress and, in turn, our country.

Thomas Hart Benton (1989)

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Thomas Hart Benton's paintings were energetic and uncompromising. Today his works are in museums, but Benton hung them in saloons for ordinary people to appreciate.

The Shakers: Hands to Work, Hearts to God (1984)

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They called themselves the United Society of Believers in Christ's Second Appearing, but because of their ecstatic dancing, the world called them Shakers. Ken Burns creates a moving portrait of this particularly American movement, and in the process, offers us a new and unusually moving way to understand the Shakers.