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Films & Shows from Jolly Film

Welcome to our dedicated collection of titles produced by Jolly Film. Renowned for its creative vision, quality craftsmanship, and cinematic innovation, Jolly Film has contributed some of the most memorable and influential works to the world of film and television. Whether you’re a longtime follower of their productions or discovering their catalogue for the first time, this selection offers a window into the storytelling excellence and artistic flair that define Jolly Film’s legacy.

With 18 outstanding titles currently featured, our continuously updated lineup includes both celebrated classics and exciting new releases. Explore detailed descriptions, user ratings, and reviews to find the perfect movie or show for your next viewing session. Immerse yourself in the rich tapestry of narratives and visual styles that Jolly Film brings to the screen, and experience the magic of their productions from the comfort of your own home.

Sacco & Vanzetti (1971)

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Boston, 1920. Italian immigrants Nicola Sacco and Bartolomeo Vanzetti are charged and unfairly tried for murder on the basis of their anarchist political beliefs.

Violent City (1970)

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A hitman is double-crossed by his girlfriend and barely escapes a murder attempt. He then sets out to take his revenge on the woman and the gang boss who put her up to it.

Grand Slam (1967)

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Professor James Anders is a seemingly mild-mannered teacher, an American working in Rio De Janeiro. Anders, bored with years of teaching, decides to put together a team to pull off a diamond heist during the Rio Carnival. Four international experts are brought together to carry out the robbery: a safe cracking expert, a master thief, a mechanical genius, and a playboy.

PlayTime (1967)

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Clumsy Monsieur Hulot finds himself perplexed by the intimidating complexity of a gadget-filled Paris. He attempts to meet with a business contact but soon becomes lost. His roundabout journey parallels that of an American tourist, and as they weave through the inventive urban environment, they intermittently meet, developing an interest in one another. They eventually get together at a chaotic restaurant, along with several other quirky characters.

Seven Guns for the MacGregors (1966)

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Ranch owner MacGregor has seven sons and oldest Gregor leads his brothers to Las Mesas, a small town where they want to sell horses. They get into trouble with local people who are related with evil Santillana. After getting imprisoned and losing their horses they decide to go after Santillana's gang.

Crime on a Summer Morning (1965)

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An ill-assorted group of international criminals executes a tightly-planned ransom sting in Spain. Things go along swimmingly until various tensions within the group come to the fore.

Bullets Don't Argue (1964)

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On his own wedding day, sheriff Pat Garrett must leave and try to arrest two bank robbers.

A Fistful of Dollars (1964)

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The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.

Gunfight at Red Sands (1963)

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An avenging stranger guns down a gang of ruthless bandits in revenge for the murder of his family.

I motorizzati (1962)

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A guy is about to become the millionth citizen to buy a car in Rome. Frightened, he decides to remain pedestrian, and recalls several stories, with new car owners as protagonists. Episodic comedy.

Black Sunday (1960)

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A vengeful witch, Asa Vajda, and her fiendish servant, Igor Jauvitch, return from the grave and begin a bloody campaign to possess the body of the witch's beautiful look-alike descendant, Katia. Only a handsome doctor with the help of family members stand in her way.

La cambiale (1959)

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The Posalaquaglia cousins are two small scammers and make a living of expedients: Dante receives as recognition for Tommaso a bill of one hundred thousand lire from the famous financier Bruscatelli, who ends up in prison immediately afterwards.

Maigret Sets a Trap (1958)

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Four women were murdered, each was knifed and, though they had their clothes torn, they weren't molested. As the famed police inspector Jules Maigret pieces the clues together, he comes to realize that for the elusive man that he suspects to be unmasked, he has to set him a trap.

Totò, Vittorio and the Doctor (1957)

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The fake private detective Mike Spillone is hired by two old ladies to find out if Brigitte, the wife of their nephew Otello Bellomo, has a lover. Brigitte is a physician but the two aunts are unaware of the fact. While investigating, Mike and his assistant Johnny discover Brigitte with a prospective patient, the marquis De Vitti who was shot by the husband of the woman he tried to seduce. Afterwards Spillone finds her with her husband who he believes to be her lover.

The Intruder (1955)

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A doctor saves a girl from suicide and marries her out of pity. Soon the evil man who had pushed her to the limit taking advantage of her re-enters her life. The ensuing crisis will help the newlyweds overcome their differences and start a fresh, better new life.

French Cancan (1954)

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Nineteenth-century Paris comes vibrantly alive in Jean Renoir’s exhilarating tale of the opening of the world-renowned Moulin Rouge. Jean Gabin plays the wily impresario Danglard, who makes the cancan all the rage while juggling the love of two beautiful women—an Egyptian belly-dancer and a naive working girl turned cancan star.

French Cancan (1954)

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Nineteenth-century Paris comes vibrantly alive in Jean Renoir’s exhilarating tale of the opening of the world-renowned Moulin Rouge. Jean Gabin plays the wily impresario Danglard, who makes the cancan all the rage while juggling the love of two beautiful women—an Egyptian belly-dancer and a naive working girl turned cancan star.

On Trial (1954)

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Prosecutor Etzel discovers that his father has sentenced a man, Leonardo Maurizius, on mere presumptions. He then makes it a point of honor to trace the sources of the case to uncover the truth.