Films & Shows from Les Films A4
Welcome to our dedicated collection of titles produced by Les Films A4. Renowned for its creative vision, quality craftsmanship, and cinematic innovation, Les Films A4 has contributed some of the most memorable and influential works to the world of film and television. Whether you’re a longtime follower of their productions or discovering their catalogue for the first time, this selection offers a window into the storytelling excellence and artistic flair that define Les Films A4’s legacy.
Adieu Gary (2009)
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Au milieu de nulle part, une cité ouvrière vidée de sa population depuis quelques années déjà. Pourtant, certains habitants ont décidé d'y rester, plus par choix que par nécessité, parce que c'est là qu'ils sont nés et qu'ils ont grandi. Parmi eux il y a Francis, l'ouvrier consciencieux qui continue d'entretenir la machine sur laquelle il a travaillé toute sa vie ; Samir, son fils.
Let It Rain (2008)
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Agathe Villanova is a self-centered, workaholic feminist politician who, upon reluctantly returning to her home in the south of France to sort out her mother's affairs, runs for a local election. Upon her arrival, Agathe grudgingly agrees to take part in a documentary being made by the blundering duo of Karim, an aspiring filmmaker, and self-professed "reporter" Michel, on the subject of "successful women." As Agathe's life hilariously unravels, the camera is there to capture it all.
The Taste of Others (2000)
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Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.
Kennedy et moi (1999)
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If he buys a gun, visits his wife's lover, and ends up savagely biting his dentist, Samuel Polaris is in bad shape. Very bad. Unless the others, the “normal” people – with their career plans, their adulteries, their arrogant incompetence – have fallen into a sort of collective madness. Who knows. Because he has no choice, because he is in love with his wife and because he refuses to resign himself to the worst, Samuel Polaris decides to regain his dignity. Even if, to do this, he has to steal from his psychiatrist the watch that Kennedy was wearing the day he was assassinated.