Films & Shows from Les Films Concordia
Welcome to our dedicated collection of titles produced by Les Films Concordia. Renowned for its creative vision, quality craftsmanship, and cinematic innovation, Les Films Concordia has contributed some of the most memorable and influential works to the world of film and television. Whether you’re a longtime follower of their productions or discovering their catalogue for the first time, this selection offers a window into the storytelling excellence and artistic flair that define Les Films Concordia’s legacy.
The Passenger (1975)
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David Locke is a world-weary American journalist who has been sent to cover a conflict in northern Africa, but he makes little progress with the story. When he discovers the body of a stranger who looks similar to him, Locke assumes the dead man's identity. However, he soon finds out that the man was an arms dealer, leading Locke into dangerous situations. Aided by a beautiful woman, Locke attempts to avoid both the police and criminals out to get him.
Massacre in Rome (1973)
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In the Nazi occupied city of Rome, an assault on an SS brigade draws retaliation from the military governship. "Massacre in Rome" is the true story of how this partisan attack led to the mass execution of Italian nationals under the orders of SS-Lieutenant Colonel Kappler.
What? (1972)
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A young American woman traveling through Italy finds herself in a strange Mediterranean villa where nothing seems quite right.
Oasis of Fear (1971)
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Two young sexually free hippies, Dick and Ingrid, finance their travels by selling naked snaps of Ingrid until their plan is brought to an abrupt end by the Police. Forced on the run the two seek refuge at a seemingly empty isolated large villa. As it turns out the house is inhabited by the middle-aged Barbara who invites them in for some potential three-way hanky-panky that soon locks them into something far more twisted and chilling!
The Priest's Wife (1970)
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After discovering her boyfriend is married, a young woman attempts suicide but survives and falls for the priest who took her call, leading to complications with his vow of celibacy.
Sunflower (1970)
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After World War II, a woman refuses to believe her husband, missing on the Russian front, is dead. Flashbacks reveal their brief courtship and marriage. Years later, she travels to Russia with his photo, determined to find him. What will she discover?
The 25th Hour (1967)
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A Romanian peasant fights to get back to his family after he's imprisoned by the Nazis.The picture is based on real events. It includes Hungary's government in collaboration with the Nazis, the encroachment of Romania by Stalin's troopers, and other happenings.
More Than a Miracle (1967)
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A fairy tale of the misadventures of a beautiful but temperamental Neapolitan peasant, Isabella, when she meets the ill- tempered Spanish Prince Rodrigo Ferrante y Davalos. The King of Spain has ordered Rodrigo to choose a wife among seven Italian Princesses, but he is smitten by the lowly peasant.
Lady L (1965)
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Lady L is an elegant 80-year-old woman who recalls her amorous life story, including past loves and lusty, scandalous adventures she has lived through.
The 10th Victim (1965)
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In the near future, big wars are avoided by giving individuals with violent tendencies a chance to kill in the Big Hunt. The Hunt is the most popular form of entertainment in the world and also attracts participants who are looking for fame and fortune. It includes ten rounds for each competitor, five as the hunter and five as the victim.
The Ape Woman (1964)
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A modest Neapolitan man meets a young woman with excessive hairiness. He exhibits her at fairs and marries her. It is after marriage that he receives a tempting offer from a French manager.
Marriage Italian Style (1964)
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During the bombing of Naples in World War II, a cynical businessman helps a naive prostitute, who spends the next two decades desperate to have him reciprocate her feelings.
Yesterday, Today and Tomorrow (1963)
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Three tales of very different women using their sexuality as a means to getting what they want.
Contempt (1963)
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A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.