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Films & Shows from Mafilm

Welcome to our dedicated collection of titles produced by Mafilm. Renowned for its creative vision, quality craftsmanship, and cinematic innovation, Mafilm has contributed some of the most memorable and influential works to the world of film and television. Whether you’re a longtime follower of their productions or discovering their catalogue for the first time, this selection offers a window into the storytelling excellence and artistic flair that define Mafilm’s legacy.

With 34 outstanding titles currently featured, our continuously updated lineup includes both celebrated classics and exciting new releases. Explore detailed descriptions, user ratings, and reviews to find the perfect movie or show for your next viewing session. Immerse yourself in the rich tapestry of narratives and visual styles that Mafilm brings to the screen, and experience the magic of their productions from the comfort of your own home.

Queen: Hungarian Rhapsody - Live in Budapest '86 (2012)

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On 27th July 1986, British stadium rock band Queen broke new ground by playing for the first time in Hungary, a country which was still under a communist dictatorship behind the Iron Curtain.

Combat Girls (2011)

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Marisa, a 20-year-old German girl, hates foreigners, Jews, cops, and everyone she finds guilty for the decline of her country. She provokes, drinks, fights and her next tattoo will be a portrait of Adolf Hitler. But Marisa's convictions begin to crumble when she meets a young Afghan refugee, and she learns that the black and white principles of her gang are not the only way.

Taxandria (1996)

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A lighthouse guardian leads a young prince towards an imaginary world, Taxandria, where the boy learns about the power of love and the value of liberty. A totalitarian regime has forbidden time: time watches have been confiscated, photo cameras are illegal as they freeze a point in time. A typical Servais theme: a power is oppressed by a constraint that denies what is best in the individual, and therefore has to be twisted in various ways, to establish an entirely artificial world, that has rules that may question some of the rules of our world at this side of the mirror.

Hanussen (1988)

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A man's story parallels Hitler's rise. Austrian Klaus Schneider, wounded in World War I, recovers in the care of Dr. Emil Bettleheim. Bettleheim discovers that Schneider possesses powers of empathy and of clairvoyance, such that could aid suicidal patients. After the war, with one friend as his manager and another as his lover, Schneider changes his name to Eric Jan Hanussen and goes to Berlin, as a hypnotist and clairvoyant performing in halls and theaters. He always speaks the truth, which brings him to the attention of powerful Nazis. He predicts their rise (good propaganda for them) and their violence (not so good). He's in pain and at

Lionheart (1987)

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A young knight sets out to join King Richards crusaders. Along the way, he encounters The Black Prince who captures children and sells them as slaves to the Muslims. It is Robert Narra's sworn duty to protect the children and lead them to safety.

The Presence III (1986)

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Two rabbis show the ruins of an abandoned synagogue to a group of primary school-age Jewish children, and stand by as the children dip bread in honey, drink wine, pray, and sing.

Colonel Redl (1985)

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Set during the fading glory of the Austro-Hungarian empire, the film tells of the rise and fall of Alfred Redl, an ambitious young officer who proceeds up the ladder to become head of the Secret Police only to become ensnared in political deception.

Diary for My Children (1984)

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After having lost her parents, young Juli returns from the Soviet Union to her native Budapest. Scarred by the wounds of the past, the ghost of Stalin’s oppression haunts her as she reunites with her aunt and adoptive mother Magda.

Heroic Times (1984)

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The tragic medieval tale of a man of inhuman strength, fierce temper and a desire for noble knighthood. While on the run as a murderer, he finds new life as a knight, only to face disillusionment, the horrors of war and ugly human vices.

The Outsider (1981)

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A talented but irresponsible violinist ruins his marriage with his drinking and antisocial behaviour.

Mephisto (1981)

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A German stage actor finds unexpected success and mixed blessings in the popularity of his performance in a Faustian play as the Nazis take power in pre-WWII Germany. As his associates and friends flee or are ground under by the Nazi terror, the popularity of his character supercedes his own existence until he finds that his best performance is keeping up appearances for his Nazi patrons.

Confidence (1980)

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Janos and Kata are thrown together during the Second World War and forced to pose as husband and wife to hide from the Nazis. The intensity and suffocating intimacy of their new relationship and the circumstances in which they find themselves, forces them to confront past prejudices and assumptions and challenge what they truly believe.

The Witness (1979)

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Hungary, 1950s. József Pelikán, who works as a dam keeper on the Danube, meets by chance Zoltán Dániel, an old friend whom he saved from death years before and who is now a powerful politician.

The Fifth Seal (1976)

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In 1944 Budapest, one of a group of four friends poses a hypothetical moral question to the others, an act that will unexpectedly alter their lives forever.

Electra, My Love (1974)

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It has been fifteen years since the death of her father, Agamemnon, and Elektra still burns with hatred for Aegisztosz, who conspired with Elektra's mother to kill him.

Red Psalm (1972)

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Set in the 1890s on the Hungarian plains, a group of farm workers go on strike in which they face harsh reprisals and the reality of revolt, oppression, morality and violence.

The Whistling Cobblestone (1971)

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The week-days of a youth-camp, playing democracy, are depicted in this documentarist satire. Due to faulty organisation, the Budapest high-school students get only working tools, but no work to do. The camp leadership tries to cover up facts and urges them to be initiated into "community life".

Agnus Dei (1971)

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Allegory of the suppression of the 1919 revolution and the advent of fascism in Hungary; in the countryside, a unit of the revolutionary army spares the life of father Vargha, a fanatical priest. He comes back and leads massacres. A new force, represented by Feher, apparently avenges the people, but only to impose a different, more refined and effective kind of repression.