Films & Shows from Marvin Worth Productions
Welcome to our dedicated collection of titles produced by Marvin Worth Productions. Renowned for its creative vision, quality craftsmanship, and cinematic innovation, Marvin Worth Productions has contributed some of the most memorable and influential works to the world of film and television. Whether you’re a longtime follower of their productions or discovering their catalogue for the first time, this selection offers a window into the storytelling excellence and artistic flair that define Marvin Worth Productions’s legacy.
James Dean (2001)
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The man behind the legend and a knowing look at the 1950's Hollywood are revealed in this dynamic bioepic of the meteoric star whose troubled life echoed his gut-grabbing performances in East of Eden, Rebel Without A Cause and Giant.
Gia (1998)
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Gia Carangi meteorically rises to modeling fame in the late 1970s but becomes overconsumed by persistent loneliness and drug addiction.
Diabolique (1996)
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The wife and mistress of a cruel school master collaborate in a carefully planned and executed scheme to murder him. The plan goes well until the body, which has been strategically dumped, disappears. The psychological strain starts to weigh on the two women when a retired police investigator begins looking into the man's disappearance on a whim.
Fire Sale (1977)
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Benny and his wife Ruthie are getting set to drive down to Florida, but Benny needs someone to look after his department store while he's gone. Though he doesn't think much of him, Benny hands the responsibility over to his son, Russell. While Russell doesn't get much respect from his parents, he's better off than his brother, Ezra, whom Benny has gone so far as to disown. Ezra is currently battling with his work (coach of a high school basketball team that hasn't won in ages) and his wife (who keeps nagging him that she wants to have a baby as soon as possible) at the same time.
Lenny (1974)
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The story of acerbic 1960s comic Lenny Bruce, whose groundbreaking, no-holds-barred style and social commentary was often deemed by the establishment as too obscene for the public.