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Films & Shows from Medium Density Fibreboard Films

Welcome to our dedicated collection of titles produced by Medium Density Fibreboard Films. Renowned for its creative vision, quality craftsmanship, and cinematic innovation, Medium Density Fibreboard Films has contributed some of the most memorable and influential works to the world of film and television. Whether you’re a longtime follower of their productions or discovering their catalogue for the first time, this selection offers a window into the storytelling excellence and artistic flair that define Medium Density Fibreboard Films’s legacy.

With 4 outstanding titles currently featured, our continuously updated lineup includes both celebrated classics and exciting new releases. Explore detailed descriptions, user ratings, and reviews to find the perfect movie or show for your next viewing session. Immerse yourself in the rich tapestry of narratives and visual styles that Medium Density Fibreboard Films brings to the screen, and experience the magic of their productions from the comfort of your own home.

Anne at 13,000 Ft. (2021)

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Anne hasn't been the same since the jump. While skydiving for her best friend Sarah's bachelorette party, the 27-year-old felt focused, free, above it all. Back on the ground, the pressures of her daily life threaten to overwhelm her.

Point and Line to Plane (2020)

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A young woman attempts to extract meaning from an intense loss as she encounters signs in her daily life and through the art of Hilma af Klint and Wassily Kandinsky. Point and Line to Plane portrays the phenomenon of magical thinking endured during an individual’s journey to process, heal and document a period of mourning.

Fail to Appear (2017)

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Isolde is a support caseworker trainee working in Toronto. She’s still adjusting to the protocols and challenges of her job when she’s assigned to Eric, a man charged with theft and awaiting a court hearing.

East Hastings Pharmacy (2012)

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Bourges documents the daily routine of a typical pharmacy in Vancouver's Downtown Eastside, where most clients are on a treatment that requires taking daily doses of methadone witnessed by the pharmacist. The architecture of the space is as much a character as the population which passes through it, with borders of glass between the street and the pharmacy and then between the pharmacist and her clients. The tension of the situation and the struggles on both sides of the glass are punctuated with moments of good humour and camaraderie.