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Films & Shows from Ministerie Van Nationale Opvoeding En Nederlandse Cultuur (België)

Welcome to our dedicated collection of titles produced by Ministerie Van Nationale Opvoeding En Nederlandse Cultuur (België). Renowned for its creative vision, quality craftsmanship, and cinematic innovation, Ministerie Van Nationale Opvoeding En Nederlandse Cultuur (België) has contributed some of the most memorable and influential works to the world of film and television. Whether you’re a longtime follower of their productions or discovering their catalogue for the first time, this selection offers a window into the storytelling excellence and artistic flair that define Ministerie Van Nationale Opvoeding En Nederlandse Cultuur (België)’s legacy.

With 3 outstanding titles currently featured, our continuously updated lineup includes both celebrated classics and exciting new releases. Explore detailed descriptions, user ratings, and reviews to find the perfect movie or show for your next viewing session. Immerse yourself in the rich tapestry of narratives and visual styles that Ministerie Van Nationale Opvoeding En Nederlandse Cultuur (België) brings to the screen, and experience the magic of their productions from the comfort of your own home.

The End of the Journey (1981)

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A 40-year-old mother struggles to deal with the anxiety of growing older after her eldest daughter moves out and the youngest distances herself.

The Conscript (1974)

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In 1833, when the fledgling Belgian kingdom still fears a Dutch invasion, recruits were selected annually from an age cohort by a draw of lots in each locality. In this grim, then contemporary drama by the 'father of Flemish literature', Hendrik Conscience, Jan Braems, a poor and naive farmers-boy, accepts the not uncommon offer by a rich family to sell his lucky ticket (out) to their son for a hefty sum compared to the miserable labor wages at the time. Army life is even harsher then a farmhand's, especially for a Dutch-speaking an-alphabet who simply can't understand his francophone superiors, and Jan's nature is not complacent enough for

Farewells (1966)

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The captain of a ship in port has been entrusted with a secret government mission. He gives leave to the crew, but orders them to report back each morning. As the days go by, and the sailing date still remains a secret, the crew are thrown into a state of increasing uncertainty. The film concentrates on two crew members whose experiences are coloured by the omnipresent reality of the ship which is about to depart.