Films & Shows from Ontario Film Development Corporation
Welcome to our dedicated collection of titles produced by Ontario Film Development Corporation. Renowned for its creative vision, quality craftsmanship, and cinematic innovation, Ontario Film Development Corporation has contributed some of the most memorable and influential works to the world of film and television. Whether you’re a longtime follower of their productions or discovering their catalogue for the first time, this selection offers a window into the storytelling excellence and artistic flair that define Ontario Film Development Corporation’s legacy.
2149: The Aftermath (2016)
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In an oppressive future, where everyone's only contact is their computer, one lonely young man is forced to venture forth in search of human contact.
The Boys Club (1996)
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Three teenage boys in small-town Southern Ontario are thrilled when Luke Cooper, a mysterious American fugitive with a gunshot wound in his leg, decides to crash their secret hideout. Luke tells them that he's a cop on the run from corrupt colleagues, and swears them to silence. As he recuperates, he becomes their buddy and confidante. By the time the boys realize Luke is not who he pretends to be, they're in way over their heads
Blood & Donuts (1995)
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In 1994, in Toronto, the vampire Boya awakens from his twenty-five years of sleep in a basement hit by a golf ball. He takes a cab to the local cemetery, retrieves his belongings from a grave and lodges in a low budget hotel nearby an all-night donut shop. Boya does not drink human blood anymore but rats and pigeons blood instead. While in the donut shop, Boya befriends and protects the taxi driver Earl, who is having trouble with two criminals, and falls in love for the waitress Molly. Meanwhile, his former passion of 1969, Rita, who misses her lost youth, is trying to locate him.
I Love a Man in Uniform (1993)
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Henry Adler, an outwardly normal banker, yearns to make it in show business and still answers to his overbearing father. When Henry is hired to act in a television police drama, he realizes his big break has arrived and decides to do whatever it takes to get into the role — even if that means donning his police costume in public during off hours. It isn't long, however, before Henry begins to take the law into his own hands as his violent side chillingly emerges.
Family Viewing (1987)
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An emotionally constrained view of the displacement of human feelings in our video saturated society. Van regularly visits his grandmother in a run-down nursing home. His father depends on phone sex for guidance meanwhile erasing family homevideos of happier times with homemade pornography. Will Van rescue his grandmother and memories of his mother in time?