Films & Shows from Paramount Pictures
You’re now browsing page 54, where we continue to showcase even more remarkable titles produced by Paramount Pictures. If you’ve already discovered some standout works on previous pages, now’s the perfect time to delve deeper and find your next favorite. Keep exploring and enjoy the journey!
Welcome Stranger (1947)
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Crusty Dr. McRory of Fallbridge, Maine, hires his vacation replacement sight unseen. Alas, he and young singing Doctor Jim Pearson don't hit it off; but once he meets teacher Trudy Mason, Pearson is delighted to stay. The locals, taking their cue from McRory, cold-shoulder Pearson, especially Trudy's stuffy fiancé. But then, guess who needs an emergency appendectomy?
Saigon (1947)
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After World War II Larry learns that his flying buddy Mike will only live a short time despite the efforts of the doctors. He takes on a profitable flying job for profiteers Maris to finance a good time for his buddy. As the plane takes off he shoves Maris' secretary Susan on board. When Mike falls for her, Larry tells her to play along for Mike's sake. She, of course, falls for Larry.
The Bride Wore Boots (1946)
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A bookish husband tries to win back the affections of his horse-breeding wife.
Calcutta (1946)
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Neale and Pedro fly cargo between Chungking and Calcutta. When their buddy Bill is murdered they investigate. Neale meets Bill's fiancée Virginia and becomes suspicious of a deeper plot while also falling for her charms.
The Blue Dahlia (1946)
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Soon after a veteran returns from war, his cheating wife is found dead. He evades police in an attempt to find the real murderer.
Two Years Before the Mast (1946)
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In 1834, Charles Stewart (Alan Ladd), the spoiled, dissolute son of a shipping magnate, is shanghaied aboard the Pilgrim, one of his father's own ships. He embarks upon a long, hellish sea voyage under the tyrannical rule of Captain Francis Thompson (Howard Da Silva), assisted by his first mate, Amazeen (William Bendix). One of his crewmates is Richard Henry Dana Jr. (Brian Donlevy).
Monsieur Beaucaire (1946)
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A bumbling barber in the court of King Louis XV becomes engaged in political intrigue when he masquerades as a dashing nobleman engaged to the princess of Spain.
Peep in the Deep (1946)
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Olive has a map to a sunken treasure, but Bluto stowed away and is determined to beat Popeye to it.
The Strange Love of Martha Ivers (1946)
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Three childhood friends, Martha, Walter and Sam, share a terrible secret. Over time, the ambitious Martha and the pusillanimous Walter have married. She is a cold businesswoman; he is the district attorney: a perfect combination to dominate the corrupt city of Iverstown at will. But the unexpected return of Sam, after years of absence, deeply disturbs the life of the odd couple.
The Virginian (1946)
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Arriving at Medicine Bow, eastern schoolteacher Molly Woods meets two cowboys, irresponsible Steve and the "Virginian," who gets off on the wrong foot with her. To add to his troubles, the Virginian finds that his old pal Steve is mixed up with black-hatted Trampas and his rustlers...then finds himself at the head of a posse after said rustlers; and Molly hates the violent side of frontier life.
To Each His Own (1946)
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During World War I, small-town girl Josephine Norris has an illegitimate son by an itinerant pilot. After a scheme to adopt him ends up giving him to another family, she devotes her life to loving him from afar.
O.S.S. (1946)
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The (O)ffice of (S)trategic (S)ervices' Cmdr. Brady (Patric Knowles) forms Operation "Applejack" (based on a composite of actual incidents during WWII) and sends Lt. (j.g.) Philip Masson, U.S.N.R. aka John Martin as spy Philippe Martine (Alan Ladd) along with Miss Ellen Rogers posing as her college roommate, Madame Elaine Duprez (Geraldine Fitzgerald) and Robert Bouchet, Tech Sgt., A.U.S. as Albert Bernardito (Richard Benedict) to acquire secret Nazi plans. After nearly getting caught they succeed and get new identities. However they discover a secret that could change the war and risk their lives to get the information back to
Blue Skies (1946)
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Jed Potter looks back on a love triangle conducted over the course of years and between musical numbers. Dancer Jed loves showgirl Mary, who loves compulsive nightclub-opener Johnny, who can't stay committed to anything in life for very long.
Road to Utopia (1946)
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While on a ship to Skagway, Alaska, Duke and Chester find a map to a secret gold mine, which had been 'stolen' by thugs. In Alaska to recover her father's map, Sal Van Hoyden falls in with Ace Larson, who secretly wants to steal the gold mine for himself. Duke, Chester, the thugs, Ace and his henchman chase each other all over the countryside—for the map.
Murder, He Says (1945)
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Pete Marshall is sent as a replacement to the mountain district town of Plainville when a public opinion surveyor who went there goes missing. Visiting the hillbilly family of Mamie Fleagle, Pete begins to suspect that she and her two sons have murdered the surveyor. Pete then believes that Mamie is slowly poisoning wealthy Grandma Fleagle, who has put a vital clue to her fortune in a nonsensical embroidered sampler.
Love Letters (1945)
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When a man asks another man more facile with words to do his wooing for him, there are always complications. The man with no talent for writing marries the girl, confesses one night he didn't write the letters and ends up with a knife in his back. The writer of the letters fell in love with the woman he wrote to and wants to become her second husband even if she did murder husband number one. Singleton doesn't remember the murder or anything about the first 22 years of her life as Victoria Remington. Then at her second wedding she wonders why she said "I take you, Roger," instead of "I take you, Allen."
Kitty (1945)
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Pickpocket Kitty's life changes when painter Thomas Gainsborough makes her portrait. The artwork gains the attention of Sir Hugh Marcy, who later decides to use her for his benefit.
The Affairs of Susan (1945)
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Susan is about to be married, but the wedding may get called off after her fiancé summons three former beaus. Each reveals a different portrait of Susan: one describes her as a naive country girl who reluctantly becomes an actress, another paints a picture of a gay party girl and and the third describes a serious intellectual.