Films & Shows from Paramount Pictures
You’re now browsing page 62, where we continue to showcase even more remarkable titles produced by Paramount Pictures. If you’ve already discovered some standout works on previous pages, now’s the perfect time to delve deeper and find your next favorite. Keep exploring and enjoy the journey!
Go West Young Man (1936)
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Mavis Arden is a sensational movie star. Her following spans the world and her personal appearance tours prove her popularity. On her way home from one such appearance, Arden's car breaks down. She orders her publicity man to find her a place to stay, suspicious that he planned the break down to keep her away from a man. However, she soon finds herself mooning over an attractive repairman in town and listening to his ideas about inventing equipment for film.
Desire (1936)
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Madeleine steals a string of pearls in Paris and uses American engineer Tom, who is driving on his vacation to Spain, to get the pearls out of France. But getting the pearls back from him proves to be difficult without falling in love.
Wedding Present (1936)
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Charlie Mason and Rusty Fleming are star reporters on a Chicago tabloid who are romantically involved as well. Although skilled in ferreting out great stories, they often behave in an unprofessional and immature manner. After their shenanigans cause their frustrated city editor to resign, the publisher promotes Charlie to the job, a decision based on the premise that only a slacker would be able crack down on other shirkers and underachievers. His pomposity soon alienates most of his co-workers and causes Rusty to move to New York. Charlie resigns and along with gangster friend Smiles Benson tries to win Rusty back before she marries a
The Arizona Raiders (1936)
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After saving himself from hanging, Laramie Nelson saves Tracks Williams from the same fate. They then travel to Lindsay's ranch where they get jobs. There they run into Adams who they learn is planning to rustle Lindsay's horses.
Straight from the Shoulder (1936)
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A mob witness is hiding in a remote mountain cabin together with his young son.
Till We Meet Again (1936)
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In London, August 1914, Austrian star Elsa Duranyi (Gertrude Michael) and English matinee idol Alan Barclay (Herbert Marshall) are in love and plan an immediate marriage. But the War comes and Elsa mysteriously disappears. Alan's ease in speaking German results in his appointment to the British Intelligence and, to aid his use as a spy, they announce he was killed in action. He takes the name and personality of "shell-shocked" Hans Teller, a German prisoner, and is sent into Germany on an exchange of prisoners.
Hopalong Cassidy Returns (1936)
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A crusading newspaper editor recruits his old friend Hoppy to take the job of Marshall in a town rife with vice and murder directed at helpless miners.
The Last Outpost (1935)
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During WW1, the destinies of British officers Michael Andrews and John Stevenson seem intertwined on the battle front as much as on a more personal level.
Mississippi (1935)
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A young pacifist after refusing on principle to defend her sweetheart's honor and being banished in disgrace, joins a riverboat troupe as a singer, acquires a reputation as a crackshot after a saloon brawl in which the villain of the piece accidentally kills himself with his own gun, falls in love with his former fianceé's sister and finally bullies an apprehensive family into accepting him.
Man on the Flying Trapeze (1935)
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Hard-working, henpecked Ambrose Ambrose Wolfinger takes off from work to go to a wrestling match with catastrophic consequences.
Wings in the Dark (1935)
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In his dedicated pursuit of technology that will aid pilots to safely "fly blind" during adverse conditions, aerial innovator Ken Gordon is literally blinded in an accident, but this setback doesn't deter him from his goal.
Symphony in Black: A Rhapsody of Negro Life (1935)
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A rising nineteen-year-old singer by the name of Billie Holiday made her screen debut in this musical landmark, which features Duke Ellington and his orchestra performing his symphonic jazz piece “A Rhapsody of Negro Life” set to scenes of everyday African American life.
Ruggles of Red Gap (1935)
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In this comedy of an Englishman stranded in a sea of barbaric Americans, Marmaduke Ruggles, a gentleman's gentleman and butler to an Earl is lost in a poker game to an uncouth American cattle baron. Ruggles' life is turned upside down as he's taken to the USA, is gradually assimilated into American life, accidentally becomes a local celebrity, and falls in love along the way.
The Lives of a Bengal Lancer (1935)
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In the Northwest Frontier of India, the 41st Bengal Lancers leaded by the harsh Colonel Tom Stone are having trouble with the rebellious leader Mohammed Khan. After two casualties, the experienced but insubordinate Lieutenant Alan McGregor receives as replacement, the arrogant Lieutenant Forsythe and the immature son of Colonel Stone, Lieutenant Donald Stone. With the intention to prove that he will not have any privilege in the troop, the reception of Colonel Stone to his son is absolutely cold, but he becomes the protégé of McGregor. When Lieutenant Stone is kidnapped by Mohammed Khan, McGregor and Forsythe disobey the direct order of
Hands Across the Table (1935)
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A manicurist and an engaged loafer, both planning to marry money, meet and fall in love.
The Devil Is a Woman (1935)
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In the carnival in Spain in the beginning of the Twentieth Century, the exiled republican Antonio Galvan comes from Paris masquerade to enjoy the party and visit his friend Capt. Don Pasqual 'Pasqualito' Costelar. However, he flirts with the mysterious Concha Perez and they schedule to meet each other later. When Antonio meets Pasqualito, his old friend discloses his frustrated relationship with the promiscuous Concha and her greedy mother and how his life was ruined by his obsession for the beautiful demimondaine. Pasqualito makes Antonio promise that he would not see Concha. However, when Antonio meets Concha, she seduces him and the long
Peter Ibbetson (1935)
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When his mother dies, young Peter Ibbetson leaves Paris and his best friend, Mary, behind to live with a severe uncle in England. Years later, Peter is an architect with little time for women, until he begins a project with the Duke and Duchess of Towers. When Peter and the duchess become great friends, she reveals that she is Mary — but the duke soon suspects his wife of infidelity and challenges Peter to a duel, threatening the pair's second chance.
The Bride Comes Home (1935)
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A penniless socialite is hired by two young men as a front in their plan to start a magazine. Soon, however, they find themselves more interested in her than in their publishing venture.