Films & Shows from Rai
You’re now browsing page 10, where we continue to showcase even more remarkable titles produced by Rai. If you’ve already discovered some standout works on previous pages, now’s the perfect time to delve deeper and find your next favorite. Keep exploring and enjoy the journey!
The Legend of the Holy Drinker (1988)
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Andreas Kartak, a homeless man living under the bridges of Paris, is lent 200 francs by a stranger as long as he promises to repay it to a local church when he can afford to. Kartak is determined to pay back his debt but circumstances, and his alcoholism, forever intervene.
The Night of the Sharks (1988)
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David must fight for his life against the gangsters who killed his brother for a CD filled with proof of their illegal activities. When David gets possession of the CD they go down to Mexico where David lives as a shark hunter. Who will get David first, the gangsters or the shark?
Cinema Paradiso (1988)
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A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.
Landscape in the Mist (1988)
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Two Greek children embark on a journey to search for their father, who supposedly lives in Germany.
Intervista (1987)
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Federico Fellini welcomes us into his world of film making with a mockumentary about his life in film, as a Japanese film crew follows him around.
Control (1987)
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An experiment of psychological effects under stressful conditions in a shelter. When fifteen strangers are put into a nuclear shelter to see how long they can survive without interaction with the outside, things work out fine.
Dark Eyes (1987)
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Aboard a ship early in the 20th-century, a middle-aged Italian tells his story of love to a Russian.
Au Revoir les Enfants (1987)
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Au revoir les enfants tells a heartbreaking story of friendship and devastating loss concerning two boys living in Nazi-occupied France. At a provincial Catholic boarding school, the precocious youths enjoy true camaraderie—until a secret is revealed. Based on events from writer-director Malle’s own childhood, the film is a subtle, precisely observed tale of courage, cowardice, and tragic awakening.
Ginger and Fred (1986)
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Amelia and Pippo are reunited after several decades to perform their old music-hall act, imitating Fred Astaire and Ginger Rogers, on a TV variety show.
The Name of the Rose (1986)
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14th-century Franciscan monk William of Baskerville and his young novice arrive at a conference to find that several monks have been murdered under mysterious circumstances. To solve the crimes, William must rise up against the Church's authority and fight the shadowy conspiracy of monastery monks using only his intelligence – which is considerable.
Jean de Florette (1986)
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In a rural French village, an old man and his only remaining relative cast their covetous eyes on an adjoining vacant property. They need its spring water for growing their flowers, and are dismayed to hear that the man who has inherited it is moving in. They block up the spring and watch as their new neighbour tries to keep his crops watered from wells far afield through the hot summer. Though they see his desperate efforts are breaking his health and his wife and daughter's hearts, they think only of getting the water.
Manon of the Spring (1986)
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In this, the sequel to Jean de Florette, Manon has grown into a beautiful young shepherdess living in the idyllic Provencal countryside. She plots vengeance on the men who greedily conspired to acquire her father's land years earlier.
Favourites of the Moon (1985)
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A porcelain table service and a painting from the 19th century pass from hand to hand and deteriorate over time, sealing the fate of different characters who cross paths in Paris.
Kaos (1984)
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Five stories center on a werewolf, a feudal landlord, peasants, a ghost, and a mother and her sons.
The Last Days of Pompeii (1984)
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This seven-hour British-Italian adaptation of Edward Bulwer-Lytton's 1834 epic, set against the eruption of Mount Vesuvius in 79 A.D. and previously filmed in 1935, and in 1960 was a vehicle for muscleman Steve Reeves, was trashed by the critics as the campiest of sword and sandal sagas to emerge in years. This despite its reported $19-million price tag, the nobility of its cast that includes Laurence Olivier, Siobhan McKenna and Anthony Quayle, and its rather unspectacular special effects. The central figures are Nicholas Clay as Glaucus, the noble Athenian; Olivia Hussey as the high-born Ione, his love, who is seduced by the Egyptian,
Voyage to Cythera (1984)
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An old communist returning to Greece after 32 years in the Soviet Union is disillusioned with the state of things.
And the Ship Sails On (1983)
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In 1914, a cruise ship sets sail from Naples to spread the ashes of beloved opera singer Edmea Tetua near Erimo, the isle of her birth. During the voyage, the eclectic array of passengers discovers a group of Serbian refugees aboard the vessel. Peace and camaraderie abound until the ship is descended upon by an Austrian flagship. The Serbians are forced to board it, but naturally they resist, igniting a skirmish that ends in destruction.
And the Ship Sails On (1983)
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In 1914, a cruise ship sets sail from Naples to spread the ashes of beloved opera singer Edmea Tetua near Erimo, the isle of her birth. During the voyage, the eclectic array of passengers discovers a group of Serbian refugees aboard the vessel. Peace and camaraderie abound until the ship is descended upon by an Austrian flagship. The Serbians are forced to board it, but naturally they resist, igniting a skirmish that ends in destruction.