Films & Shows from Red Sea Fund
Welcome to our dedicated collection of titles produced by Red Sea Fund. Renowned for its creative vision, quality craftsmanship, and cinematic innovation, Red Sea Fund has contributed some of the most memorable and influential works to the world of film and television. Whether you’re a longtime follower of their productions or discovering their catalogue for the first time, this selection offers a window into the storytelling excellence and artistic flair that define Red Sea Fund’s legacy.
Modì, Three Days on the Wing of Madness (2024)
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On the run from the police, his desire to end his career and leave the city is dismissed by fellow artists Maurice Utrillo, Chaim Soutine, and Modi’s muse, Beatrice Hastings. Modi seeks advice from his art dealer and friend, Leopold Zborowski — however, after a night of hallucinations, the chaos in Modi’s mind reaches a crescendo when faced with an American collector, Maurice Gangnat, who has the power to change his life.
Who Do I Belong To (2024)
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Aicha, a Tunisian mother gifted with prophetic dreams, lives in the isolated north of Tunisia with her husband Brahim and young son Adam. The family lives in anguish after the departure of the eldest sons Mehdi and Amine to the violent embrace of war. Months later, Mehdi unexpectedly returns home with a pregnant wife in tow. Mehdi's arrival triggers old wounds and a darkness that threatens to consume the entire village.
Inshallah a Boy (2024)
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After the sudden death of her husband, working mother Nawal has to fight for her inheritance in order to save her daughter and home in a society where having a son would be a game changer.
Four Daughters (2023)
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Between light and darkness stands Olfa, a Tunisian woman and the mother of four daughters. One day, her two older daughters disappear. To fill in their absence, the filmmaker Kaouther Ben Hania invites professional actresses and invents a unique cinema experience that will lift the veil on Olfa and her daughters' life stories. An intimate journey of hope, rebellion, violence, transmission and sisterhood that will question the very foundations of our societies.
The Burdened (2023)
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When Isra’a discovers she is expecting another baby amid the civil war in Yemen, she and her husband decide she should have an abortion. But this creates enormous difficulties – in their relationship and elsewhere. A moving story from an all-too-often forgotten crisis region.
Omen (2023)
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Between Brussels, Kinshasa and Lubumbashi, Augure borrows from magic realism to paint a portrait of “undesirables” and “sorcerers” through the intertwined stories of protagonists of different genders and generations, confronted with the prejudice and suspicion of those around them.
The Last Queen (2023)
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1516, Legend has it that the king of Algiers had a wife named Zaphira. When the pirate Aroudj Barbarossa arrives to liberate the city from the Spaniards, he is determined to conquer Zaphira as well as the kingdom itself. But is Zaphira willing to let him, or is she plotting for herself?
Harka (2022)
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Ali is a young Tunisian who dreams of a better life and ekes out a lonely existence selling contraband oil on the black market. When his father dies, he is forced to care for his two younger sisters who have been left to their own devices in a house from which they will soon be evicted. As he wrestles with the sudden weight of responsibility and the injustices he faces, anger and indignation stir within Ali – that of a generation still fighting to be heard more than a decade after the revolution…