Films & Shows from Rei Cine
Welcome to our dedicated collection of titles produced by Rei Cine. Renowned for its creative vision, quality craftsmanship, and cinematic innovation, Rei Cine has contributed some of the most memorable and influential works to the world of film and television. Whether you’re a longtime follower of their productions or discovering their catalogue for the first time, this selection offers a window into the storytelling excellence and artistic flair that define Rei Cine’s legacy.
Kill the Jockey (2024)
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Remo's self-destructive behavior overshadows his talent. Abril, an upcoming jockey, is pregnant with Remo's baby and has to decide between the child or continuing to race. They both race for Sirena, a businessman who saved Remo's life in the past but now is determined to find him, dead or alive.
The Rescue: The Weight of the World (2023)
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Julio returns with his family to Argentina after the downfall of the brutal dictatorship that overpowered long-standing democracy. Things soon take an ugly turn as his brother is kidnapped and Julio becomes the lead negotiator with the criminals.
The Settlers (2023)
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Chile, early 20th century. José Menéndez, a wealthy landowner, hires three horsemen to mark out the perimeter of his extensive property and open a route to the Atlantic Ocean across vast Patagonia.
Robe of Gems (2023)
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Deep in the Mexican countryside, a community is plagued by the constant threat of looming violence. Three women from different social classes—a maid, her wealthy employer, and a police officer—become tragically affected by a missing-person case related to organized crime.
North Terminal (2022)
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During the 2020 lockdown, Lucrecia Martel returns to her home in Salta, Argentina’s most conservative region. Here she follows Julieta Laso who, like a muse, introduces her to a group of female artists and defiant people who exchange glances and opinions around a fire.
Introduzione all'oscuro (2018)
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Gaston Solnicki plays himself in this cinematic tribute to his friend Hans Hurch.
The Accused (2018)
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Dolores lived the life of a higher-class student until her best friend was found brutally murdered. Two years later, she’s the only indicted suspect for a crime that attracts a lot of media attention and has placed her in the center of the public eye. Dolores spends her days preparing for the trial, secluded in her house as her parents work as a team ready to do anything to defend their daughter. The best lawyer is not enough, they obsessively control around her: how she looks, what she does, eats and who she sees. But as the trial moves forward and pressure grows, suspicion and secrets emerge within the family. Cornered, increasingly
Light Years (2017)
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ZAMA (2017, Lucrecia Martel) didn’t come alone. It brought with her a shooting journal written by Selva Almada –El mono en el remolino– and this documentary by Manuel Abramovich, who, as a sound intruder, captured the meticulous work of the director from Salta and the warm, human, joyful precision.
Zama (2017)
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In a remote South American colony in the late 18th century, officer Zama of the Spanish crown waits in vain for a transfer to a more prestigious location. He suffers small humiliations and petty politicking as he increasingly succumbs to lust and paranoia.
Kill Me Please (2015)
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Barra da Tijuca, West Side Zone of Rio de Janeiro. A wave of murderers plague the area. What starts off as a morbid curiosity for the local youth, slowly begins to spoil away at their lives. Among them is Bia, a 15-year-old girl. After an encounter with death, she will do anything to make sure she is alive.