Films & Shows from Rome-Paris Films
Welcome to our dedicated collection of titles produced by Rome-Paris Films. Renowned for its creative vision, quality craftsmanship, and cinematic innovation, Rome-Paris Films has contributed some of the most memorable and influential works to the world of film and television. Whether you’re a longtime follower of their productions or discovering their catalogue for the first time, this selection offers a window into the storytelling excellence and artistic flair that define Rome-Paris Films’s legacy.
La Collectionneuse (1967)
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A bombastic, womanizing art dealer and his painter friend go to a seventeenth-century villa on the Riviera for a relaxing summer getaway. But their idyll is disturbed by the presence of the bohemian Haydée, accused of being a “collector” of men.
Made in U.S.A (1967)
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Paula Nelson goes to Atlantic City to meet her lover, Richard Politzer, but finds him dead and decides to investigate his death. In her hotel room, she meets Typhus, whom she ends up knocking out. His corpse is later found in the apartment of David Goodis, a writer. Paula is arrested and interrogated. From then on, she encounters many gangsters.
The Hired Killer (1966)
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Hit-man Clint Harris has one more job to do before he can retire. The corporation which hires him demands that Harris "erase" an ex-employee who has become a snitch for the police. At first Harris refuses but when his own brother is assassinated he accepts the job.
The Nun (1966)
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In eighteenth-century France, a girl is forced against her will to take vows as a nun. Three mothers superior treat her in radically different ways, ranging from maternal concern, to sadistic persecution, to lesbian desire.
Objective: 500 Million (1966)
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Reichau, a former army captain, is back in France after serving three years in prison for belonging to the OAS (Secret Armed Organization), a dissident paramilitary group during the Algerian War. Marked by his past, he does not believe in the values of his country any more. At a loss to know what to do with his life, he agrees one day to take part in a heist set up by Pierre, a pilot, the very man who gave him away in Oran. The operation, in which Yo, a gorgeous woman, participates, consists in stealing a bag containing 55 million francs during a Paris-Bordeaux flight...
The 317th Platoon (1965)
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In Laos, 1954, eight days before the french defeat in the Indochina war, the 317th platoon – four french soldiers and 41 laotian combatants – has been ordered to leave its outpost and to retreat for the plains of Diên Biên Phu, where the french army is getting stucked. Led by the inexperienced and idealistic sous-lieutenant Torrens, fresh out of the military academy, and by adjutant Willsdorf, a WWII veteran of the Werhmacht, the group must cross 150 kilometers of jungle. But dripping rainwater, hostile nature, and the Viêt-minh ambushes expose them to constant danger.
The Blue Panther (1965)
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Marie-Chantal travels by train to her cousin's place to spend a winter holiday, when a stranger entrusts her with false jewels that contain a virus powerful enough to destroy all humankind.
Pierrot le Fou (1965)
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Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.
The Carabineers (1963)
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During a war in an imaginary country, unscrupulous soldiers recruit poor farmers with promises of an easy and happy life. Two of these farmers write to their wives of their exploits.
Contempt (1963)
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A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.
The Third Lover (1962)
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The story of a journalist in southern Germany who stays with a novelist and his wife and gradually begins to destroy the young couple's lives.
Cléo from 5 to 7 (1962)
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Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.
Le Doulos (1962)
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Enigmatic gangster Silien may or may not be responsible for informing on Faugel, who was just released from prison and is already involved in what should be a simple heist. By the end of this brutal, twisting, and multilayered policier, who will be left to trust?
Léon Morin, Priest (1961)
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The widow Barny lives in Nazi-occupied France, looking after her half-Jewish daughter in a small village. When the Germans arrive, she decides to baptize her and chooses priest Léon Morin to do so. After spending some time with him, the relationship with her confessor turns into a confrontation with both God and her own repressed desire.
Lola (1961)
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A bored young man meets with his former girlfriend, now a cabaret dancer and single mother, and soon finds himself falling back in love with her.
A Woman Is a Woman (1961)
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Longing for a baby, a stripper pursues another man in order to make her boyfriend jealous.