Films & Shows from Shochiku
You’re now browsing page 11, where we continue to showcase even more remarkable titles produced by Shochiku. If you’ve already discovered some standout works on previous pages, now’s the perfect time to delve deeper and find your next favorite. Keep exploring and enjoy the journey!
Tora-san's Cherished Mother (1969)
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Kuruma Torajiro is discovered looking around Kyoto for someone special to him.
It's Tough Being a Man (1969)
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Tora-san, an itinerant peddler who is thrown out of his father's house twenty years before but reconnects with his aunt, uncle and sister Sakura. Tora wreaks some havoc in their lives, like getting drunk and silly at a marriage meeting and ruining Sakura's chance to marry someone, as well as just being a real pain to those around him. There is a sentimental side to him also, and the best way to describe him is that he grows on you.
The Shy Deceiver (1968)
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A young thug wanna-be yakuza falls in love with a country girl.
The X from Outer Space (1967)
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The spaceship AAB-Gamma is dispatched from FAFC headquarters in Japan to make a landing on the planet Mars and investigate reports of UFOs in the area. As they near the red planet, they encounter a mysterious UFO that coats the ship's hull with unusual spores. Taking one of the specimens back to earth, it soon develops and grows into a giant chicken-lizard-alien monster that tramples Japan.
Impasse (1967)
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Shingo and Ritsuko have a baby: Takashi. They happen to be a happy couple, but soon Ritsuko wants to know who is the true father of Takashi, born by artificial insemination.
Song of Love (1967)
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The life in a small village in Shikoku and the love story between two young people.
Gamblers' Luck (1966)
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A group of ne'er-do-wells live happily in the slums of what is now Tokyo and have a number of adventures: they get drunk and go whoring, revenge themselves on cruel landlords, animate the corpse of a money-lender in order to frighten people. Then they assist at the marriage of a lovely girl and almost kill themselves gambling to provide her with a dowry.
By a Man's Face Shall You Know Him (1966)
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Also known as "History of a Man’s Face" and "By a Man's Face Shall You Know Him" . Immigrant gangs terrorize a Japanese town with their threats, loud jazz, and tasteless fashion sense, and only the tough but suave Dr. Amamiya (Ando) can stop them, as long as he gets rid of his silly peace-loving ideals.
With Beauty and Sorrow (1965)
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When the man who seduced the famous painter Otoko as a teenager--and then wrote a bestselling novel about it--reappears in her life, her pupil--and lesbian lover--hatches a plot to destroy the man and his family.
Samurai from Nowhere (1964)
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Misawa Ihei (Nagato) is traveling with his wife Tae (Iwashita Shima) who abhors the practice of sword fighting for prize money. Tae is the daughter of the clan's chief counselor who married the low-ranking Ihei to avoid becoming the clan lord's mistress. Into the mix comes Oba Gunjuro (Tetsurō Tamba), a mysterious ronin who will do anything for money. This leads to a fitting climax as the forces of hate and love converge while the couple attempt to break through the border!
Three Outlaw Samurai (1964)
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Shiba, a wandering ronin, encounters a band of peasants who have kidnapped the daughter of their dictatorial magistrate, in hopes of coercing from him a reduction in taxes. Shiba takes up their fight, joined by two renegades from the magistrate's guard, Sakura and Kikyo. The three outlaws find themselves in a battle to the death.
The Scent of Incense (1964)
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After her mother runs away from home, Tomoko is raised to be a geisha. One day Tomoko meets her mother in a red-light district in Tokyo and her life deeply gets in trouble.
Twin Sisters of Kyoto (1963)
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In this Japanese drama, a dry goods merchant's daughter is surprised to discover that she has a twin sister. In rural Japan it was thought that twins bring bad luck, so the sister was abandoned at birth. Later her parents tell her that her sister was kidnapped. The woman doesn't believe this and when she eventually meets her twin, both women are involved in love affairs. The merchant's daughter is seeing an educated fellow. Trouble ensues when she begins suspecting that he may be more interested in her sister.
Our Marriage (1962)
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When two sisters fall in love with the same man, one must decide to look elsewhere.
A Flame at the Pier (1962)
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A young dockworker who owes his life to his boss becomes embroiled in union activity on the Yokohama waterfront. The rebel Saburo works as an errand boy for a shipping company and vents his frustrations by plucking on the guitar.
An Autumn Afternoon (1962)
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Shuhei Hirayama is a widower with a 24-year-old daughter. Gradually, he comes to realize that she should not be obliged to look after him for the rest of his life, so he arranges a marriage for her.
Akitsu Hot Springs (1962)
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Yoshida’s first big-budget production and colour film is a haunting tale of unrequited love and postwar disillusion. The story of the fatal attraction between a spineless intellectual and a strong woman is conventional, but its enactment is radically new.
Harakiri (1962)
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Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.