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Films & Shows from South Australian Film Corporation

Welcome to our dedicated collection of titles produced by South Australian Film Corporation. Renowned for its creative vision, quality craftsmanship, and cinematic innovation, South Australian Film Corporation has contributed some of the most memorable and influential works to the world of film and television. Whether you’re a longtime follower of their productions or discovering their catalogue for the first time, this selection offers a window into the storytelling excellence and artistic flair that define South Australian Film Corporation’s legacy.

With 43 outstanding titles currently featured, our continuously updated lineup includes both celebrated classics and exciting new releases. Explore detailed descriptions, user ratings, and reviews to find the perfect movie or show for your next viewing session. Immerse yourself in the rich tapestry of narratives and visual styles that South Australian Film Corporation brings to the screen, and experience the magic of their productions from the comfort of your own home.

You Should Have Been Here Yesterday (2024)

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You Should Have Been Here Yesterday combines hundreds of hours of lovingly restored 16mm footage with a salt-infused soundscape by Headland. This cinematic poem tells the story of a wild community who took off up the coast and discovered a whole new way to live. Going back to the never-before-seen camera reels to ask the question – what do we keep and what do we leave behind? Featuring Tim Winton, Wayne Lynch, Bob McTavish, Albe Falzon, Evelyn Rich, Maurice Cole and many more. Inspired by Moonage Daydream and Jen Peedom’s Mountain.

Run Rabbit Run (2024)

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Sarah is a fertility doctor with a firm understanding of the cycle of life. When she is forced to make sense of the increasingly strange behavior of her young daughter Mia, she must challenge her own beliefs and confront a ghost from her past.

Monolith (2023)

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A desperate young journalist turns to podcasting to salvage her career, but her rush to make headlines leads her to an alien conspiracy.

Talk to Me (2023)

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When a group of friends discover how to conjure spirits using an embalmed hand, they become hooked on the new thrill, until one of them goes too far and unleashes terrifying supernatural forces.

The Last Daughter (2023)

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Brenda’s first memories were of growing up in a loving white foster family, before she was suddenly taken away and returned to her Aboriginal family. Decades later, she feels disconnected from both halves of her life, so she goes searching for the foster family with whom she had lost contact. Along the way she uncovers long-buried secrets, government lies, and the possibility of deeper connections to family and culture.

The Stranger (2022)

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Two strangers strike up a conversation on a long journey. One is a suspect in an unsolved missing person’s case and the other an undercover operative on his trail. Their uneasy friendship becomes the core of this tightly wrought thriller, which is based on the true story of one of the largest investigations and undercover operations in Australia.

Gold (2022)

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In the not-too-distant future, two drifters traveling through the desert stumble across the biggest gold nugget ever found and the dream of immense wealth and greed takes hold. They hatch a plan to excavate their bounty, with one man leaving to secure the necessary tools while the other remains with the gold. The man who remains must endure harsh desert elements, ravenous wild dogs, and mysterious intruders, while battling the sinking suspicion that he has been abandoned to his fate.

My Name Is Gulpilil (2021)

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Diagnosed with lung cancer, legendary Australian actor David Gulpilil boldly explains the journey that is his extraordinary, culture-clashing life.

Chasing Wonders (2021)

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A coming-of-age story set across the lush wine country of both Australia and Spain, a young man explores the nature of father-son relationships and the pathway toward understanding and forgiveness.

Stateless (2020)

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Four strangers — a flight attendant escaping a suburban cult, an Afghan refugee fleeing persecution, a young Australian father escaping a dead-end job, and a bureaucrat caught up in a national scandal — are stuck in an immigration detention center in the Australian desert. Inspired by true events.

Escape from Pretoria (2020)

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South Africa, 1978. Tim Jenkin and Stephen Lee, two white political activists from the African National Congress imprisoned by the apartheid regime, put a plan in motion to escape from the infamous Pretoria Prison.

The Eight Hundred (2020)

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In 1937, eight hundred Chinese soldiers fight under siege from a warehouse in the middle of the Shanghai battlefield, completely surrounded by the Japanese army.

Upright (2019)

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When family outcast Lucky Flynn learns that his mother is dying, he decides to drive to the other side of Australia to see her, packing nothing but an upright piano for the journey. But his plans are soon turned upside down when he meets the runaway teenager Meg, who’s dealing with some family demons of her own.

Dumbo (2019)

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A young elephant, whose oversized ears enable him to fly, helps save a struggling circus, but when the circus plans a new venture, Dumbo and his friends discover dark secrets beneath its shiny veneer.

Hotel Mumbai (2019)

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Mumbai, India, November 26, 2008. While several terrorists spread hatred and death through the city, others attack the Taj Mahal Palace Hotel. Both hotel staff and guests risk their lives, making unthinkable sacrifices to protect themselves and keep everyone safe while help arrives.

The Nightingale (2018)

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In 1825, Clare, a 21-year-old Irish convict, chases a British soldier through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. She enlists the services of an Aboriginal tracker who is also marked by trauma from his own violence-filled past.

Boys in the Trees (2016)

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On Halloween 1997, two estranged teen skaters embark on a surreal journey through their memories, dreams and fears.

A Month of Sundays (2016)

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Frank Mollard, divorced but still attached, can't move on and also can't sell a house in a property boom, much less connect with his teenage son. One night Frank gets a phone call from his mother. Nothing out of the ordinary there – apart from the fact that she died the year before.