Films & Shows from The Associates &Amp; Aldrich Company
Welcome to our dedicated collection of titles produced by The Associates &Amp; Aldrich Company. Renowned for its creative vision, quality craftsmanship, and cinematic innovation, The Associates &Amp; Aldrich Company has contributed some of the most memorable and influential works to the world of film and television. Whether you’re a longtime follower of their productions or discovering their catalogue for the first time, this selection offers a window into the storytelling excellence and artistic flair that define The Associates &Amp; Aldrich Company’s legacy.
Ulzana's Raid (1972)
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A report reaches the US Army Cavalry that the Apache leader Ulzana has left his reservation with a band of followers. A compassionate young officer, Lieutenant DeBuin, is given a small company to find him and bring him back; accompanying the troop is McIntosh, an experienced scout, and Ke-Ni-Tay, an Apache guide. Ulzana massacres, rapes and loots across the countryside; and as DeBuin encounters the remains of his victims, he is compelled to learn from McIntosh and to confront his own naivity and hidden prejudices.
The Grissom Gang (1971)
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The Grissom Gang is a remake of the notorious 1949 British melodrama No Orchids For Miss Blandish. Kim Darby plays a 1920s-era debutante who is kidnapped and held for ransom. Her captors are the Grissoms, a family comprised of sadists and morons, and headed by Ma Barker clone Irene Dailey. One of the Grissoms, played by Scott Wilson, takes a liking to his prisoner, which results in a bloody breakdown of the family unit. Both The Grissom Gang and the original No Orchids For Miss Blandish were inspired by the best-seller by James Hadley Chase, though neither film retains Chase's original ending.
Too Late the Hero (1970)
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A WWII film set on a Pacific island. Japanese and allied forces occupy different parts of the island. When a group of British soldiers are sent on a mission behind enemy lines, things don't go exactly to plan. This film differs in that some of the 'heroes' are very reluctant, but they come good when they are pursued by the Japanese who are determined to prevent them returning to base.
The Killing of Sister George (1968)
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When June Buckridge arrives at her London flat and announces 'They are going to murder me', her long-time lover and doll-cuddling flat mate Alice 'Childie' McNaught realizes that things are going to change. For June is referring to her character 'Sister George', a lovable nurse she portrays in a popular daytime serial. To make matters worse, the widowed executive at the BBC responsible for the decision to kill off Sister George - Mercy Croft is also a predatory lesbian who is after Childie and will stop at nothing to get what she wants.
The Legend of Lylah Clare (1968)
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A dictatorial film director hires an unknown actress to play the lead role in a planned movie biography of a late, great Hollywood star.
The Flight of the Phoenix (1965)
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A cargo aircraft crashes in a sandstorm in the Sahara with less than a dozen men on board. One of the passengers is an airplane designer who comes up with the idea of ripping off the undamaged wing and using it as the basis for a replacement aircraft they need to build before their food and water run out.
Hush... Hush, Sweet Charlotte (1964)
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An aging, reclusive Southern belle plagued by a horrifying family secret descends into madness after the arrival of a lost relative.
What Ever Happened to Baby Jane? (1962)
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A former child star torments her paraplegic sister in their decaying Hollywood mansion.
The Ride Back (1957)
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A troubled sheriff, a failure at everything in his life, tries to redeem himself by extraditing a popular gunfighter from Mexico to stand trial for murder.
Attack (1956)
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Battle of the Bulge, World War II, 1944. Lieutenant Costa, an infantry company officer who must establish artillery observation posts in a strategic area, has serious doubts about Captain Cooney's leadership ability.
The Big Knife (1955)
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Movie star Charlie Castle draws the ire of Hollywood producer Stanley Hoff when he refuses to sign a new seven-year contract. Castle is sick of the low quality of the studio's films and wants to start a new life. While his estranged wife supports him in the decision, Castle's talent agent urges him to reconsider. When Castle continues to be uncooperative, Hoff resorts to blackmail in order to get his way.