Films & Shows from The Match Factory
Welcome to our dedicated collection of titles produced by The Match Factory. Renowned for its creative vision, quality craftsmanship, and cinematic innovation, The Match Factory has contributed some of the most memorable and influential works to the world of film and television. Whether you’re a longtime follower of their productions or discovering their catalogue for the first time, this selection offers a window into the storytelling excellence and artistic flair that define The Match Factory’s legacy.
The End (2024)
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After the sudden arrival of a stranger threatens the family’s luxurious compound deep underground, Son begins to question their seemingly perfect existence.
Motel Destino (2024)
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Dayana lives an abusive marriage with former police officer Elias, owner of Motel Destino. When 21-year-old Heraldo finds himself at the motel after messing up a hit and going on the run, Dayana finds herself intrigued and lets him stay. As the two navigate a dance of power and desire, a dangerous plan for freedom emerges.
Grand Tour (2024)
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In 1917 Burma (now Myanmar), a British diplomat is set to marry his fiancée, but after a sudden panic, escapes to Singapore, sending her on what evolves into a chase across Asia.
Architecton (2024)
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An extraordinary journey through the material that makes up our habitat: concrete and its ancestor, stone. Victor Kossakovsky raises a fundamental question: how do we inhabit the world of tomorrow?
Sorcery (2024)
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Chiloé Island, 1880. Rosa Raín is a Huilliche girl who, after the murder of her father at the hands of German settlers, seeks justice with Mateo, leader of an organization of sorcerers called “La Recta Provincia”.
The Echo (2024)
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In the remote village of El Echo that exists outside of time, the children care for the sheep and their elders. While the frost and drought punish the land, they learn to understand death, illness and love with each act, word and silence of their parents. A story about the echo of what clings to the soul, about the certainty of shelter provided by those around us, about rebellion and vertigo in the face of life. About growing up.
Lost in the Night (2023)
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A young man from a small mining town embroils himself with a wealthy family with a dubious past.
Kidnapped (2023)
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The story of Edgardo Mortara, a young Jewish boy living in Bologna, Italy, who in 1858, after being secretly baptized, was forcibly taken from his family to be raised as a Christian. His parents’ struggle to free their son became part of a larger political battle that pitted the papacy against forces of democracy and Italian unification.
The Cow Who Sang a Song into the Future (2023)
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A Chilean family is shaken by the sudden return of a long-dead matriarch.
Beyond The Wall (2023)
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Ali, a blind man, is attempting to commit suicide when he is interrupted by the concierge of his building. He is informed that the police is in search of a woman who has escaped and hidden somewhere in the building. Little by little, Ali finds out that the fugitive woman, Leila, is inside his apartment. After participating in a workers’ protest that led to chaos, she is distraught about her four-year-old son who was lost when she was taken in a police van. Gradually, Ali becomes emotionally attached to her. Wishing to flee reality, helping Leila becomes a refuge in his own world of imagination.
Rhinegold (2022)
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Xatar’s way from the ghetto to the top of the charts is as dramatic as it is daring: Fatih Akin’s new film is based on the autobiographical novel »Alles oder Nix« (»All or Nothing«) of the probably most authentic exponent of German gangsta rap. From the hell of an Iraqi jail, Giwar Hajabi (Emilio Sakraya) emigrated to Germany as a young boy with his family in the mid-1980s and has to start right at the bottom. There are opportunities, but far more obstacles. Giwar’s rise from petty criminal to major dealer is swift. Until one shipment goes missing. In order to clear his debts with the cartel, he plans a legendary gold heist. But just as
Burning Days (2022)
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With the mayoral election approaching, the newly-appointed state prosecutor of a small Turkish town suffering from a water supply crisis gradually descends into trouble after a young local woman is raped.
The Taste of Apples Is Red (2022)
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In the Druze mountain villages between Syria and Israel, Kamel, a respected sheik, must make an impossible decision between family and duty when his estranged brother returns to the Golan Heights after 47 years in exile.
The Peacock’s Paradise (2022)
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On a winter’s day, Nena gathers her family to celebrate her birthday. Il paradiso del pavone is a small journey into the intimacy and authenticity of human beings: a film about an extended family in which everyone talks but no one really listens. Until an unexpected event forces the family members to look into each other’s eyes and reveal themselves for what they really are.
Vengeance Is Mine, All Others Pay Cash (2021)
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Ajo Kawir is a fighter who fears nothing, not even death. His raging urge to fight is driven by a secret: his impotence. When he crosses paths with a tough female fighter named Iteung, Ajo gets beaten black and blue, but he also falls head over heels in love. Will Ajo’s path lead him to a happy life with Iteung, and, eventually, his own peace of mind?
Evolution (2021)
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In EVOLUTION, acclaimed filmmaking team Kornél Mundruczó and Kata Wéber (PIECES OF A WOMAN) return with a powerful drama tracing three generations of a family, from a surreal memory of World War II to modern day Berlin, unable to process their past in a society still coping with the wounds of its history. Like the water that connects the episodes in this triptych, memory and identity are fluid, and how we relate to it can drown or buoy. The pain and stigma that trickles from Eva, to Lena and then Jonas is inexpressible, yet rendered with striking imagery by Mundruczó and a wrenchingly poignant yet acerbically ironic and personal script by
Memoria (2021)
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One morning, Jessica Holland, a Scottish orchid farmer visiting her sister in Bogotá, is woken by a loud ‘bang’. This haunting sound dispels her sleep for days, calling into question her identity and guiding her from recording studios to secluded jungle villages in an attempt to find its source.
Prayers for the Stolen (2021)
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In a mountain town, where corn and poppies grow, the girls wear boyish haircuts and have hiding places underground to escape the threat of being stolen. Ana and her two best friends grow up together, affirming the bonds of their friendship and discovering what it means to be women in a rural town marked by violence. Their mothers train them to flee death, to escape those who turn them into slaves or ghosts. They create their own impenetrable universe, but one day one of the girls doesn’t make it to her hiding place in time.