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Films & Shows from Unité Trois

Welcome to our dedicated collection of titles produced by Unité Trois. Renowned for its creative vision, quality craftsmanship, and cinematic innovation, Unité Trois has contributed some of the most memorable and influential works to the world of film and television. Whether you’re a longtime follower of their productions or discovering their catalogue for the first time, this selection offers a window into the storytelling excellence and artistic flair that define Unité Trois’s legacy.

With 6 outstanding titles currently featured, our continuously updated lineup includes both celebrated classics and exciting new releases. Explore detailed descriptions, user ratings, and reviews to find the perfect movie or show for your next viewing session. Immerse yourself in the rich tapestry of narratives and visual styles that Unité Trois brings to the screen, and experience the magic of their productions from the comfort of your own home.

Mauvais Sang (1986)

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Two aging crooks are given two weeks to repay a debt to a woman named The American. They recruit their recently deceased partner's son to help them break into a laboratory and steal the vaccine against STBO, a sexually transmitted disease that is sweeping the country. It's spread by having sex without emotional involvement, and most of its victims are teenagers who make love out of curiosity rather than commitment.

Mireille and the Others (1978)

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Caught between the impetuousness of youth and the responsibilities of adulthood, five angsty teens face an uncertain future.

The Meetings of Anna (1978)

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On a trip across Western Europe to promote her newest release, filmmaker Anna encounters several individuals—familiar and otherwise—and attends to their discontents.

News from Home (1977)

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Belgian filmmaker Chantal Akerman lives in New York. Filmed images of the City accompany texts of Akerman's loving mother back home in Brussels. The City comes more and more to the front while the words of the mother, read by Akerman herself, gradually fade away.

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1976)

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A lonely widowed housewife does her daily chores and takes care of her apartment where she lives with her teenage son, and turns the occasional trick to make ends meet. Slowly, her ritualized daily routines begin to fall apart.

The Strangler (1971)

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Émile targets women he believes are too depressed to go on living. As multiple victims fall to his suffocating white scarf, an inspector resorts to unorthodox methods to get him with the assistance of a potential victim.